This adaption of Alice Walker’s 1982 novel is an emotional yet joyful exploration of black womanhood in the early 20th century South.
The genre – also known as ‘folk art’ or ‘outsider art’ – serves as a reminder that art is a universal human pursuit.
The lie of the land: Britain’s hidden legacies of slavery in Eugene Palmer’s paintings.
Not everything that was painted can be taken as fact.