Can street art out of context still tell the same story?
Ben Birchall/PA Wire/PA Images
As the Port Talbot Banksy is moved to a new street art museum, the very reason it was created is being ignored.
Graffiti in Maboneng, Johannesburg provides a bright contrast to the spaces around it.
Graffiti contributes to place-making by creating meaningful or identifiable spaces.
A visitor enjoys the art of Banksy exhbition at the Mudec Museum in Milan.
Banksy's legal team has won an action to stop unauthorised products featuring his work alongside an Italian museum exhibition.
‘Vhils’, a Portuguese street artist, chisels an endangered orangutan onto a wall in the city of Medan, Indonesia.
splashandburn / instagram
Banksy's 'boy in falling snow/pollution' is part of a worldwide movement of artistic activism against environmental problems and climate change.
The Port Talbot Banksy.
Ben Birchall/PA Wire/PA Images
Unsolicited artwork by the world famous artist can cause big problems for private building owners.
Art with a wow factor.
Was it a marketing stunt or a critique of the market itself?
Graffiti comment adorning an image of a woman in Brunswick. The comment was quickly erased, nearby tags stayed up much longer.
A walk down Melbourne's streets reveals more commercial street art than the spontaneous politics of years past.
In a landmark court decision, graffiti has been ruled to be proper art worthy of recognition and protection.
Long Island City’s 5Pointz, a mecca for graffiti artists, was demolished in 2014.
AP Photo/Frank Franklin II
A judge in New York City just awarded graffiti artists US$6.7 million after a developer whitewashed their murals. On the surface, it seems like a huge victory for street artists. But could it backfire?
15th Street Platform with Writer, NYC.
Jon Naar/Jon Naar Photography
Perhaps it is time to return to the belief that graffiti is a political act. Maybe then we can embrace it as an agent for social change.
Guerilla street artist Banksy has livened up the new Basquiat exhibition in London with some choice murals outside. But is it an homage or infringement?
Melbourne’s Hosier Lane: some see it as art, others think it’s vandalism.
Melbourne's street art has an international reputation and may be a very valuable tourist attraction. But the city remains ambivalent about the activities that have created its 'laneway galleries'.
A collaborative painting by Chris Honig and homeless street artists Soloe and Jubs in Hosier Lane.
Photograph by Constantin Tanasa
Some say homelessness creates squalor in our cities. But Hosier Lane — the most Instagrammed spot in Melbourne — thrives partly due to homeless street artists.
When commercial giants want to capitalise on graffiti 'logos', it's time to protect street artists under copyright law.
Councils around the world have removed, destroyed or defaced Banksy’s artwork – but a controversial new show in Melbourne celebrates his work.
Rise of Banksy/Supplied
An exhibition in Melbourne of work by the world's most famous street artist is replete with ironies: from the eerily neat faux London streetscape in which the works hang to the hefty price tag and copious merchandise.
Hosier Lane, the iconic Melbourne laneway.
Businesses have traded on graffiti and the air of edginess that draws visitors to Melbourne's laneways. But they draw the line at sharing space with the homeless, whose right to the city is denied.
They're a global phenomenon – but gangs are so varied that they barely merit the same name.
Pokemon Go demonstrates how graffiti has grown into a new form of social media.
Graffiti and street art are not just a backdrop in Pokémon Go but also a template for how to navigate urban space. Indeed lovers of street art have long played their own kind of multi-player game, with sites and rewards hidden across the city.
Anthony Lister’s street art has been well received internationally, but his home town has found him guilty of vandalism.
Anthony Lister/Birdman Photos
Brisbane street artist Anthony Lister has been convicted of 'wilful damage' graffiti. Who is being harmed, when our legal system is forced to devalue cultural capital?
The “edgy authenticity” of street art makes it an ideal tool for urban planners seeking to attract the new "creative class".