Hollywood movies have long leaned into colonial representations of the tropics: imagined as romantic palm-fringed coasts full of abundance, but also scary places full of pestilence and primitiveness.
Travel and philosophy have enjoyed a quiet love affair for centuries.
Killing Eve may seem like an ultra-modern take on the spy genre but it is more traditional that it seems.
Anarchists old and new are populating film and TV a lot at the moment – reflecting the profound anxiety of the times.
For too long the Scottish writer was seen as a populist pedlar of boy’s own adventures. This didn’t happen by accident.