It stands as the crowning achievement of Western classical music.
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Humans tend to suffer from a negativity bias – we notice and dwell more readily on negative experiences than positive ones.
These four tips will help you to regain your autonomy, try new things, and avoid getting stuck in an algorithmic loop.
Beyoncé playfully mixes aural identifiers of both ‘blackness’ and ‘whiteness’ to create something new
As a woman who has been working in the ‘boys club’ of the UK music industry for over 30 years I can say it’s been, at best, frustrating and exhausting.
Wiley’s seminal debut marked a pivotal moment in the foundation of grime and its history.
Everyone has a favourite band, or a favourite composer, or a favourite song. So if we all have our own opinions on music, is it ever possible to judge it objectively?
A young white southern belle asks a woman not to cheat with her man while an older Black southern queen warns a woman against cheating with her husband.
In the album, Swift claims that she can use heartbreak as a stimulus for creativity, rather than allow it to dictate her everyday life.
An album of easter eggs, a film about a woman with worrying dreams, a series about an unknowable man, new Welsh music and the last chance to see a design great.
A reconsideration of Nas’s literary clout, 30 years after the release of Illmatic.
My research found that people experience a weaker sense of ownership over their digital possessions and perceive them as less meaningful than physical ones.
Phonk isn’t just a new-age TikTok trend. It’s the music of a generation rallying against the state of the world.
Wales has a rich musical heritage, and the next generation is ready to take centre stage.
Musicians have exceptional levels of professionalism, resilience and creativity, which transfer to other careers in a range of industries.
Many artists are expected to organise their own ticket sales and event promotion. This is coupled with low pay from venues and having to juggle music with other full-time jobs.
Paying tribute to departed and living musicians via memorial tributes and awards is a way of lifting up artists’ significant roles defining and shaping musical innovation and cultural identity.
Vinyl’s unlikely comeback story is linked to a combination of slick marketing, claims of superior sound, its polysensorial character and how it evokes nostalgia to construct and reconstitute memory.
My recent study looked at the inequalities rural and regional young classical musicians face which are unknown to their city-based counterparts.
The loyalty of fans has been exploited ever since big business realised music could be commercialised.
Principais colaboradores
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Senior Lecturer in Popular and Contemporary Music, Newcastle University
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Head of School of Psychology and Speech Pathology, Curtin University
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Associate Professor, Music Industry, RMIT University
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Piano Performance Fellow, The University of Queensland
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Associate Dean of Humanities and Social Sciences, University of Winchester
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Senior Lecturer in Communication, University of Technology Sydney
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Principal Fellow and Professor of Music, The University of Melbourne
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Senior Lecturer in Music, Southern Cross University
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Professor of Music, Australian Catholic University
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Lecturer in Music, Queensland University of Technology
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Deputy Head of School, Senior Lecturer in Piano and Musicology, School of Music, Australian National University
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Professor of Music, City, University of London
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Senior Lecturer in Music, Newcastle University
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Senior Lecturer in Journalism, Monash University
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Adjunct Senior Lecturer, School of Creative Practice, Queensland University of Technology
