Ms Marvel is making her debut this year as the first female muslim superhero in the Marvel Cinematic Universe.
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The Marvel universe is expanding with new heroes in new films and shows that break new boundaries and tackle new genres.
Protagonist Mirabel is able to help heal her family because she doesn’t have to live through the trauma of displacement like her grandmother did.
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Critics who are irritated by a lack of an apparent villain in ‘Encanto’ need to take a closer look at the effects of colonial displacement.
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Representations of girls on screen have become much better over the years but there is still a vocal audience who would rather they be tame and demure.
Muscovites rushed to buy furniture and other goods from IKEA before it closed its Russian stores.
AP Photo/Vladimir Kondrashov
Over 300 companies so far have closed stores, reassigned staff or halted sales in Russia in the two weeks since the invasion began.
The Epcot theme park that was eventually built diverged from Walt Disney’s plans for his ‘community of tomorrow.’
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Imagining new kinds of places to live is an American tradition.
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The latest Disney-Pixar film has been seen as containing queer themes, but what is the animation studio trying to achieve?
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Like Joker, this adaptation seeks to humanise a famous villain. But is this revisionism or a new story altogether?
Glen Keane at work.
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The condition challenges the centuries-old idea that all great artists are able to envision what they’re drawing.
Simu Liu plays the title character in the upcoming film Shang-Chi and the Legend of the Ten Rings.
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The Marvel Cinematic Universe is becoming increasingly diverse, on and off screen. The franchise’s continued success depends on remaining culturally relevant.
What is Marvel if not mythology persevering?
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‘WandaVision’ reimagines stories from Egyptian and Greek mythology, as well as Buddhist tradition.
Disney
Today’s stories embrace the monster — and explain how she was created.
ACMI/Phoebe Powell
ACMI’s first feature exhibition since its redevelopment shows fans the complex artistry behind their childhood favourites.
Riffing on several fairy tales and littered with pop culture references, Shrek positioned itself as animation’s dirty alternative to Disney classics.
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Released in 2001, it was the first film to really give Pixar a run for its money.
TV and movies are one way we understand people and places we’ve never had direct contact with – and maybe never will.
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An Italian media scholar raised on American TV assesses Netflix’s ambitious strategy to create original productions in Italy, Japan, Brazil and beyond – and distribute them globally.
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What the closure of Blue Sky studios means for the future of cartoons
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If you still haven’t seen this movie about a jazz pianist whose soul goes on a great adventure, it’s about time you did.
State Farm’s ‘Drake’ ad was one of the Twitter winners of the Super Bowl.
State Farm
Advertisers forked over $5.5 million for a mere 30 seconds of air time during the Super Bowl. Here’s Twitter’s verdict on which brands got social media bang for their bucks.
Line illustrations by Mary Shepard © The Shepard Trust. Reproduced with permission from Curtis Brown Group Limited on behalf of The Shepard Trust
Born Christmas day, 1909, Mary Shepard greatly helped shape the image of Mary Poppins that carries through to today.
At critical developmental periods when young children are learning about themselves, others and the world, they are frequently seeing pain portrayed unrealistically in kids’ TV shows and movies.
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In children’s media, pain is depicted alarmingly frequently, usually unrealistically and often violently, but without empathy or help. These images of pain send all the wrong messages.
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Gen Z have been collaboratively writing Ratatouille the Musical on TikTok – but what do the terms of service say about who owns the art?