Opening traditional theatres and smaller venues may not be physically or financially viable. But with winter coming and the arts industry floundering, something needs to be done.
Where the policy debate has focused on a need to ‘rescue’ the cultural sector from the ill-effects of COVID-19, the emphasis must now be on growing it as part of a wider program of public investment.
Lin-Manuel Miranda, center, and the cast of “Hamilton” perform at the Tony Awards in New York on June 12, 2016.
THE CANADIAN PRESS/AP, Invision - Evan Agostini
Alexander Hamilton’s commitment to a well-funded national army and his support for territorial expansion had grave repercussions for the Indigenous Nations west of the Appalachians.
Coronavirus has accelerated moving theatre online and forces people to rethink what it means to be an audience member.
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A night at the theatre may now mean holding up props over Zoom, a peek into other people’s houses or being personally walked through a customized mystery over the phone.
Training with actors gives nurses the chance to practise caring for a diverse set of patients.
THE CANADIAN PRESS/Jonathan Hayward
Streaming has made theatre more accessible to a wider audience. However, it needs to be monetised and shouldn’t take the place of live theatre, which is in dire need of funding.
Punchdrunk’s production of The Masque of the Red Death.
Photography by Stephen Dobbie
The performing arts sector will need to change after the pandemic. This new venture is a glimpse of how it might look.
The musical re-telling of the life of founding father Alexander Hamilton has been widely praised for its pro-immigrant and anti-colonial sentiments.
Disney+
Hamilton – soon to stream as a film – has been hailed as radical. But it’s true to the traditions of the American musical – the pursuit of truth, freedom and the American dream.
Dr. Anthony Fauci, director of the National Institute of Allergy and Infectious Diseases, listens as President Donald Trump speaks about the coronavirus at the White House, May 15, 2020.
(AP Photo/Alex Brandon)
What does Dr. Anthony Fauci have in common with a fictional doctor in Henrik Ibsen’s classic 1882 play, ‘An Enemy of the People’? More than you’d think.
Students in an after-school drama club in Athens rehearse their performance about the refugee crisis, March 2017.
(Kathleen Gallagher)
Empatheatre’s latest production is more than a play about three characters who live near the sea. It’s a model for collective consultation on how to save the ocean.
New grants to aid the arts and culture sector are welcome. But as we look for distraction and meaning in isolation, a bigger correction is needed to how the government values Australian creativity.
Heroes and heroines of Classical Greek tragedy used to get all the glory. Today scholars, and theatre and film directors are looking to what the minor players can tell us about the zeitgeist.
You’re great, just don’t get too big for your boots.
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