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Articles on Visual art

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Anne and Gordon Samstag dancing at home, Naples, Florida, USA, c1986. Photograph courtesy of Mrs Florence (Robbie) McBryde.

The Samstags: the untold story of a couple that changed Australian art

Many leading Australian artists have benefitted from a Samstag scholarship. But who were the Samstags and what motivated them to create this legacy?
Halfway to the light, halfway through the night 2010-14, by Jumaadi. © AGNSW, Felicity Jenkins

The Dobell Drawing Biennial: modestly staged, impressively rendered

The Dobell is a celebration of drawing. And the work in this year’s show, from Noel McKenna’s beautifully rendered drawings of dogs to Richard Lewer’s depictions of states of mind – is first rate.
Visitors take in Cameron Robbins’ Field Lines at the Museum of Old and New Art. Mona/Remi Chauvin

Dark Mofo and the affective power of a creative storm

Hobart’s winter festival explores darkness, storms and the very nature of the universe, with artwork performed in an asylum; echoing the elements and conceived while on a residency at Geneva’s Centre for Nuclear Research.
Rome’s Trevi fountain lit up with the Belgian flag. Why do some violent acts prompt global artistic memorial, but not others? Stefano Rellandini/Reuters

Art and terror: a new kind of memorial

From Tintin weeping to spotlit buildings, images are rapidly circulating on social media as a way of comprehending the Brussels bombings. But where was the cartoon for those who died in Ankara? Are some tragedies “ungrievable”?
Casuarina trees were the perfect metaphor for Blumann’s life and the state of the world. Detail from Elise Blumann, On the Swan, Nedlands, 1942, Oil on composition board, 55.6x66.4cm. University of Western Australia.

Here’s looking at: On the Swan by Elise Blumann

Casuarina trees and the tortured forms of the Melaleucas on the foreshore of the Swan River were the perfect metaphor for Blumann’s life and the world before and during the second world war.

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