‘Posh white girls’ are unjustifiably taking the brunt of reports of the last art history A-level but casualties are all those the exam board had been moving to reach out to.
As scientists make a renewed push for greater action on climate change, a new installation at the Australian Museum brings home the fragility of our world.
The Dobell is a celebration of drawing. And the work in this year’s show, from Noel McKenna’s beautifully rendered drawings of dogs to Richard Lewer’s depictions of states of mind – is first rate.
Elizabeth I of England, the Armada portrait, 1590.
Hobart’s winter festival explores darkness, storms and the very nature of the universe, with artwork performed in an asylum; echoing the elements and conceived while on a residency at Geneva’s Centre for Nuclear Research.
Indian artists such as Bhupen Khakhar may be gaining international acclaim, but more is needed to help build and maintain a strong infrastructure for artists at home.
Tableaux Vivants Devonport c. 1892-1893.
Wilson Centre for Photography
Sentimental, high-class illustrators – or a revolution in British art?
Rome’s Trevi fountain lit up with the Belgian flag. Why do some violent acts prompt global artistic memorial, but not others?
Stefano Rellandini/Reuters
From Tintin weeping to spotlit buildings, images are rapidly circulating on social media as a way of comprehending the Brussels bombings. But where was the cartoon for those who died in Ankara? Are some tragedies “ungrievable”?
Street photographer, c. 1930, part of the NMeM collection.
The Melbourne Art Fair’s steadfast refusal to move with the times was a factor in its surprise demise.
Casuarina trees were the perfect metaphor for Blumann’s life and the state of the world.
Detail from Elise Blumann, On the Swan, Nedlands, 1942, Oil on composition board, 55.6x66.4cm. University of Western Australia.
Casuarina trees and the tortured forms of the Melaleucas on the foreshore of the Swan River were the perfect metaphor for Blumann’s life and the world before and during the second world war.
Honorary (Senior Fellow) School of Culture and Communication University of Melbourne. Editor in Chief, Design and Art of Australia Online, The University of Melbourne