Their modernist interpretations of Australia in the interwar period have both a complexity and a simplicity.
Land Abounds, created for Ngununggula in the heart of NSW’s Southern Highlands questions the comfort of the Australian landscape tradition
Daniel Boyd’s solo exhibition Treasure Island, now at the Art Gallery of New South Wales, is a deeply political and personal interrogation of Australia’s colonial history.
This year’s winning Archibald Prize portrait, Moby Dickens by Blak Douglas, encapsulates the justifiable rage felt by people living in flooded Bundjalung country
Over the past half a century, Australian women’s art has gone from the margins to the mainstream. A new book mapping this story is a flawed, colourful kaleidoscope.
This new exhibition at the Heide Museum of Modern Art traces the themes of Nolan’s expansive and prolific career.
Although they work in different genres, a similar sense of restraint imbues the work of each.
Bark painting in Yirrkala is a tradition of antiquity – but it is constantly reinvented, as this stunning exhibition of contemporary women’s work attests.
Jeffrey Smart is admired for his carefully structured paintings of Tuscany and Rome. This National Gallery of Australia’s centenary celebration of his birth takes the viewer back to Adelaide.
This exhibition highlights the diversity and range of artistic practices across the Asia Pacific region.
Margel Hinder was responsible for some of Australia’s most significant public sculptures in the 1960s and 70s. A major exhibition now examines the totality of her career.
Australian surrealism has long been understood as if it was imported from Paris. This new exhibition places two Czech-Australian émigrés at the heart of the movement.
In its centenary year, the Trustees of the Art Gallery of New South Wales could not resist the symbolism of awarding the Archibald Prize to Peter Werner’s portrait of the 100 year old Guy Warren.
It’s 100 years since the Art Gallery of NSW first held the Archibald Prize. Though loathed by some critics, it is an annual snapshot of the kind of society we are, and who our heroes might be.
The Archibald Prize celebrates its centenary with a list of finalists that includes plenty of artists’ portraits and some notable change makers.
With travel bans and conservative limits on theatre capacities, this year’s Ten Days is a smaller affair than usual, placing community arts at its heart.
Known for her soft capturing of tonal shifts and poignant moments, painter Clarice Beckett’s legacy was almost lost to time and decay. Now her work is being celebrated in a major exhibition.
Leak will be the first official portrait painter of a former Prime Minister who has not been an Archibald finalist.
For over 60 years, Daniel Thomas has shaped and extended our understanding of Australian art. Sometimes cheeky, always erudite, Thomas’s writings are collected in a new book.
A major new exhibition presents a nuanced view of Arthur Streeton who, in his lifetime, was praised as being the artist ‘who has shown us our land as no one else has done’.