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Articles on Movies

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‘I don’t care what they say about me,’ P.T. Barnum once said, ‘as long as they spell my name correctly.’ Everett Historical/Shutterstock.com

How the ‘Greatest Showman’ paved the way for Donald Trump

The new movie about P.T. Barnum couldn’t come at a better time: It’s impossible not to see his ghost in our culture, in our advertisements and in our president.
The Justice League should be a sum of its parts but the question remains: Who is the protagonist? From left: Cyborg, Flash, Batman, Wonder Woman, Aquaman. (Handout)

A team divided: Who is the hero of Justice League?

The reviews are coming in pretty harsh for Justice League. If Superman is awesome and Batman is awesome and Wonder Woman is awesome, shouldn’t the three of them together be thrice as awesome?
Movies from the “neo-noir” genre offer a darker and bleaker vision of the city, in stark contrast to the world of the TV sit-com. Tan Zi Han/Shutterstock

Movies and TV choose to tell us different stories about the cities of today

Movies often portray the city as a dystopia, particularly in the ‘neo-noir’ genre, which explores postmodern themes. TV shows and ads present an altogether sunnier picture of life in the city.
While the original Blade Runner provides some insight into artificial life, and the book explores power and human relationships, Blade Runner 2049 has none of that. (Handout)

Blade Runner 2049: No hope in this dystopia

Blade Runner 2049 represents a failure of the imagination. The film is a series of events strung together and steeped in narcissism, excessive self-absorption, isolation and regressive politics.
The original ‘Blade Runner’ took place in a dreary, dystopian Los Angeles in 2019. Warner Bros.

Blade Runner’s chillingly prescient vision of the future

The relationship between corporations, machines and humans defines modern life in ways that Ridley Scott – even in his wildest dreams – couldn’t have imagined.
Michael Shannon and Michael Stuhlbarg in the film “The Shape of Water.” (Kerry Hayes /Twentieth Century Fox Film Corporation All Rights Reserved)

TIFF 2017: Movie magic from math and science

This year’s Toronto International Film Festival is a further example of how science, technology, engineering and math illuminate movies – and, in the process, our minds.
David Gulpilil as the tracker Moodoo in the 2002 film Rabbit Proof Fence. Rumbalara Films, Australian Film Commission, The, Australian Film Finance Corporation

Why is the Australian government funding Hollywood films at the expense of our stories?

Watching David Stratton’s loving recall of Australian films of the past 50 years over the past three weeks on the ABC, makes you realise how much impact they have had on us all. As one actor says, our…

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