A Sydney librarian recently discovered a misfiled lost gem in the stacks: Virginia Woolf’s own copy of her first novel, with handwritten notes for revision. An expert explores what they tell us.
A significant collection of traditional African art has had a home in Canada for almost 100 years.
(Qanita Lilla)
Western approaches to studying African materials have had a colonial bias. A curator considers what it means to think of the collection as needing to exist in relation to communities.
Self portrait with a letter.
Musée Rodin / Pallant House Gallery
Katy Hessel’s ambitious, weighty corrective to an art history canon that sidelines (or erases) women is ‘impressive and overdue’, writes Edwina Preston.
The radical hope we find in the arts, culture and literature is often a reflection of the times. Drawing from the past there are many examples of how dreams can become a form of resilience.
A 1974 photograph of Buffalo’s Shoreline Apartments.
George Burns/National Arcvhives at College Park
Mismanaged and in disrepair, many low-income housing complexes are nonetheless seen as important avatars of modern architecture. But are calls for their preservation forgetting those who matter most?
Joy Hester at Fitzroy Gardens, 1942.
Albert Tucker/State Library of Victoria
Joy Hester’s entire body of work can be understood as an exploration of human relationships, connections, in all their complexity. A major retrospective now acknowledges her contribution.
Beethoven’s compositions combine power, rhythm and deeply felt meaning - and they did not come easily. The composer was ahead of his time, and he knew it, even then.
A fake Lucky Sibiya investigated by the art school.
Fake copies of works by legendary black South African modernist artists are flooding the market - and one university is deploying a range of scientific tests to expose them.
Honorary (Senior Fellow) School of Culture and Communication University of Melbourne. Editor in Chief, Design and Art of Australia Online, The University of Melbourne