Relying on familiar stereotypes and images can make us miss this critical opportunity to reshape the ways in which Asian women are viewed as individuals and artists.
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Shirin Neshat’s video installation at NGV and the recent Asia TOPA concert by Abida Parveen highlight how ancient forms can unlock ecstatic spaces for contemporary audiences.
In August, Screen Australia announced they had surpassed targets in their Gender Matters initative. But their September 2019 production funding round has no women directors or writers.
