We have reached a point where apocalyptic vocabulary litters writing – but the end of the world has always populated paintings, and betrays a lot about contemporary concerns.
‘Objects are to be punned into symbols. Words can be dissected and distorted to change or multiply their meanings.’ Welcome to Aleks Danko’s radical – and fun – body of work, on show at the VCA.
The selection of masterpieces from the Hermitage in Russia, currently on show at the National Gallery of Victoria, can be summed up by a single word: spectacular.
The Wynne Prize has been notoriously male-dominated. What does this year’s winning artwork by Natasha Bieniek tell us about the nature of this particular award and how we can improve it?
The night sky is part of the shared heritage of all people on Earth. A project to bring Indigenous Australians and astrophysics together reveals our common wonder at the mysteries of the universe.
Latin America might have found itself on the dark side of the “digital divide” over the last 20 years or so, but this hasn’t impeded the development of digital arts there.
Tackling Gallipoli is an onerous challenge: it carries baggage that must be accommodated or unpacked with extreme care. Western Australian artist Lev Vykopal’s two exhibitions offer a mix of reverence, analysis, critique and poetry.
Honorary (Senior Fellow) School of Culture and Communication University of Melbourne. Editor in Chief, Design and Art of Australia Online, The University of Melbourne