A still from Mirrors of Bergman, a profoundly moving audio-visual essay.
Digital technology has transformed the work of cinema scholars, spawning a rich and poetic critical form.
Nate Parker, director of the recent revolutionary US film “Birth of a Nation”.
Racism is a charge that could be leveled at cinema from its very inception. There are some positive signs of change, but audiences have a role to play in making sure African films flourish.
Jane Austen horror has burgeoned into a distinctive subgenre of adaptations.
England’s green and pleasant land will be beset by a plague of the living dead, corpses will dig their way out of graves ... Jane Austen horror is now a distinctive subgenre of Austen adaptations.
Memory has become prosthetic – outsourced to the internet. But remembering, not forgetting, is the enemy of creative reinvention.
This year has already seen the first selfie movie, the first series to air on Instagram – mobile phones are increasingly playing a major role in the film world.
Many films exist on a knife-edge ... failure is only a screening away.
Australia’s defining narratives are apparently stories by, for and about white cis men.
George A. Spiva Center for the Arts
Australia’s defining narratives are apparently, with rare exception, stories by, for and about white cis men. We need more than Screen Australia’s new measures to address gender equity in the film industry.
The Hunger Games heroine Katniss Everdeen represents the strength of living the Beatitudes against injustice.
The Hunger Games movie franchise has ended. What can we learn from Katniss Everdeen about living a just life? This article contains spoilers for The Hunger Games: Mockingjay Part II.
Violence. Yes. Glamour. Yes. But the most engaging element of Spectre may be its tone.
Spectre is a return to form for the series, and the best of the Daniel Craig films, tying together the legend with a narrative that incorporates and develops the past 50-plus years of Bond.
The life Adams was leading 100 years ago was far from a Hollywood fantasy.
Library of Congress Prints and Photographs Division Washington, DC.
This Remembrance Day, spend some time with Claire Adams Mackinnon – the silent Hollywood movie star who stole the heart of Melbourne bachelor and lived the last 40 years of her life in Victoria.
The Society of the Spectacle.
The Counter Image
“What is the point of studying popular films?” As barbaric as it may appear, this is a good question. It forces one to reconsider, and to some extent thereby refresh, one’s perspective on the subje
Gold Coast Mayor Tom Tate, Queensland Premier Annastacia Palaszczuk, Disney Studios Vice President Mary Ann Hughes and Screen Queensland CEO Tracey Vieira pose at Village Roadshow Studios on the Gold Coast last week.
AAP Image/Dave Hunt
For every film, specialists are employed for everything from rigging the lights executing the stunts. The announcement of two major new productions coming to Australia will develop that expertise.
The real force of Star Wars is to be found in its music, an aural cocktail of orchestral pieces punctuated with lightsabers, hyperspace leaps, and a hint of droid.
Walt Disney Studios Motion Pictures.
For all the speculative commentary as to what the new Star Wars trailer reveals plot-wise, its true “force” is surely located in the various sounds that infuse this perfectly constructed teaser.
Idris Elba stars in Cary Fukunaga’s Beasts of No Nation.
By avoiding major cineplexes and going straight to Netflix subscribers, the critically acclaimed Beasts of No Nation is wading into some uncharted waters.
The anti-communist pogrom in Indonesia 50 years ago not only destroyed human lives but also significant cultural works made by the country’s left-inspired artists.
Arguably Indonesia's most significant leftist film director and theorist, Bachtiar Siagian, was among the millions who fell prey to the communist purge carried out between 1965 and 1966.
Godzilla emerges from the ocean.
The emptiness that is the product of American bombs rumbles, and from within the cracks of imperialisms, both Western and Eastern, emerges an uncontrollable monster.
Nadine Labaki’s Where Do We Go now?
courtesy Pathe Films
The Arab Women Film Festival seeks to deconstruct misunderstandings about women in the Arab world and its diasporas, and provide a more nuanced view of the challenges faced by Arab women today.
Audrey Hepburn and George Peppard get it on in Breakfast at Tiffany’s.
A gesture of desire, sexuality and the erotic, the screen kiss has often been subject to censorship and controversy. But for directors game to bend the rules, the kiss can be a subversive act.
Viewers can stand, sit, or be positioned in patterns and relations that breach the traditional movie theatre encounter.
Breaching Transmissions/Images courtesy of MIFF
Expanded cinema, a term coined in the mid-1960s by American experimental filmmaker Stan Vanderbeek, extends and enriches the way cinema can engage with its viewers. The art form is taken into galleries…
This film conveys a uniquely Australian sensibility, at equal turns calm and intense.
Images courtesy of MIFF
Filmed in 29 days on a shoestring budget, Downriver's bush setting and narrative twists give it an expansive feel. It is a visually stunning piece, with superb performances and an utterly gripping story.