Anchuli Felicia King’s play American Signs at the Sydney Theatre Company thrusts us into the world of a campus hire at management consultancy ‘The Firm’.
L’expertise universitaire, l’exigence journalistique
Articles sur Sydney Theatre Company
Affichage de 1 à 20 de 34 articles
The Sydney Theatre Company’s captivating revival of the 1975 play, co-produced with Dublin’s Gate Theatre, manages to balance the loathing and humour of Thomas Bernhard’s writing.
Angus Cerini’s Into the Shimmering World at the Sydney Theatre Company is an unforgiving and, frankly, bleak meditation on what it is to be good; what it is to live a good life.
Van Badham’s A Fool in Love at the Sydney Theatre Company lampoons the modern Sydney vibe: a city obsessed with wealth, status and, of course, love.
The serious and subtle aspects of The Seagull – many of which continue to resonate today – are lost in this new production.
Shakespeare will be all but absent at Australian theatres in 2024 – but we need to embrace the complexities of the canon, not shy away from it.
Verity Laughton’s stage adaptation of Pip Williams’ best-selling book is a a very clever realisation.
Oscar Wilde’s extraordinary script is delivered with sharp wit by an extraordinary cast and placed within a production that exploits the dialogue for its viciously comic potential.
The Sydney Theatre Company’s adaptation of the book is both more poignant and more life-affirming from the dry bones of the original.
In the 1957 worldwide bestseller, Australia is – briefly – the last habitable place on earth, following a nuclear world war. One character asks, as they wait to die: ‘Why did all this happen to us?’
Adapted by playwright Anchuli Felicia King, this ‘Australian classic’ is darkly funny and subversively political.
Julia Gillard’s ‘misogyny speech’ forms the inciting incident and climatic ending of Joanna Murray-Smith’s new play Julia, produced by the Sydney Theatre Company.
Adelaide Festival is arguably the most robust international arts festival in our region.
Iain Grandage’s fourth Perth Festival continued his focus on First Nations performance, together with an exhilarating dose of Black Futurism as well as demanding post-classical music.
The Sydney Theatre Company’s production is beautiful and affecting – but it presents a Shakespeare we wish we had, rather than the one we do.
In this play, RBG discusses her most famous cases and her conversations with three of the presidents who served during her 27-year term on the US Supreme Court.
A Raisin in the Sun is arguably one of the most compelling narratives of 20th century Black American life.
Gaslight, fog, and mysterious doorways abound in STC’s Strange Case of Dr Jekyll and Mr Hyde, a play which is a complex portrait of morals being realigned in a new world of discovery.
Anne Brontë’s novel was a skewering of her sister’s romantic heroes. Now a new adaptation finds something completely modern in her words.
In an unexpected pleasure, Paige Rattray places the stage directions of Arthur Miller’s play front and centre.
Les contributeurs les plus fréquents
-
Associate Professor of English Literature, University of Sydney
-
Senior Lecturer, Discipline of English and Writing, University of Sydney
-
Professor of Creative Arts, Griffith University
-
Associate Professor in Media, University of Notre Dame Australia
-
Lecturer in Theatre Studies, UNSW Sydney
-
Professor of Drama and Theatre Studies, Royal Holloway University of London
-
Professor of English, University of Sydney
-
Associate professor, Macquarie University
-
Macquarie University Research Fellow, Macquarie University
-
Adjunct Associate Professor, Auckland University of Technology
-
Associate Professor in American Literature, University of Sydney
-
Associate Professor & Postgraduate Research Coordinator, Western Australian Academy of Performing Arts, Edith Cowan University
-
Lecturer in Creative Writing, University of Sydney
-
Lecturer in English, University of Newcastle
-
Associate Professor in Performance Studies, University of Sydney
