Looking back at the history of the diss track, it is the strength of female emcees that stands out.
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A scholar explains how a concept that appeared in Nation of Islam literature nearly a century ago essentially defines hip-hop’s consciousness today.
Dip hop artists move across the stage, hands flying through the air, as audiences pulse to the rhythm of a blasting bass beat.
Greater representation in rap from LGBTQ artists comes as mainstream artists atone for past lyrics.
Once considered a novelty in school, hip-hop has spawned an array of educational programs and initiatives that are reshaping the way educators teach and how students learn.
The crowd surge at the Astroworld festival that killed 10 people and injured hundreds highlights the messianic nature of rappers.
Kontributor teratas
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Professeure à la Faculté des arts, Université du Québec à Montréal (UQAM)
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Professor of Higher Education, University of South Carolina
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Professor of Sociology, University of Richmond
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Teaching Assistant Professor of Musicology, West Virginia University
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Associate Professor of American Culture, University of Michigan
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Research Lead at Rhythm Obscura / Lecturer in the School of Art, Design and Architecture, University of Plymouth
