James Parker is the Director of a research program on Law, Sound and the International at the Institute for International Law and the Humanities (IILAH). His research focuses on the relations between law, sound and listening, with a particular emphasis on international criminal law, the law of war and privacy. In 2017, James’ monograph Acoustic Jurisprudence: Listening to the Trial of Simon Bikindi (OUP 2015) was awarded the Penny Pether Prize (ECR) for scholarship in law, literature and the humanities. He has been a visiting fellow at the Program for Science, Technology and Society at the Harvard Kennedy School for Government, a faculty member at the Harvard Law School Institute for Global Law and Policy Workshop, and is an associate curator at Liquid Architecture, an Australian organisation for artists working with sound.