Thomas Moran is a PHD candidate at Monash University currently writing on the digital death and rebirth of cinema. His master's thesis was titled the Surreal Realist Cineam of Jia Zhangke and he has contributed to a number of edited collections focusing on cinema and its interection with other media.
PHD Candidate, Monash University
The University of Adelaide, MPhil/English
The University of Adelaide, Honours (First Class)
The Camera Devoured: Cinematic Cannibalism in Pedro Costa's Casa De Lava , Exchanges: The Interdisciplinary Reseasrch Journal
The Androgyne at the End of the Universe , Art + Australia