Thomas Pooley is an Associate Professor of music, and Chair of the Department of Art and Music at the University of South Africa. He earned a Masters from Wits and a PhD in musicology from the University of Pennsylvania. Thomas is Co-editor of "Muziki, Journal of Music Research in Africa."
Thomas has published on Zulu music, dance, and praise poetry; on speech tone and melody in sub-Saharan Africa; and on poverty, inequality, and musical arts education in post-apartheid South Africa. Current projects include a study on the life and works of composer-linguist Professor JS Mzilikazi Khumalo, and a study of politics and tradition in Zulu performances. The work on Prof Khumalo is part of a broader project on Africanist art music during and after South Africa's transition from apartheid to democracy.
He is presently working with Professor Naomi Andre (University of Michigan), Professor Innocentia Mhlambi (Wits), and Dr Donato Somma (Wits) to document the intellectual legacy of Professor Khumalo.
Experience
2013–present
Associate professor, University of South Africa
Education
2014
University of Pennsylvania, Doctor of Philosophy in Music
2009
University of the Witwatersrand, Master of Music
2005
University of KwaZulu-Natal, Bachelor of Arts Honours
2004
University of KwaZulu-Natal, Bachelor of Arts Music
Publications
2021
African performance arts and political action, The phenomenology of collapsing worlds: Territorialising space in isishameni Zulu dance
2020
The Routledge Companion to Interdisciplinary Studies in Singing, Volume 1: Development, Linguistic tone and melody in the singing of sub-Saharan Africa
2020
The Routledge Companion to Interdisciplinary Studies in Singing, Volume 3: Wellbeing, Initiation Songs as Intergenerational Communication: The Zulu uMemulo and Initiation Schools in Southern Africa
2020
The Routledge Companion to Interdisciplinary Studies in Singing, Volume 2: Education, Singing in South African Schools
2019
Moreana, Thomas More's silence and the ethics of conscience
2018
African Music, Continental Musicology: Decolonising the myth of a singular 'African music'
2018
Journal of the Phonetic Society of Japan, 'Depressing melodies': Consonants and tone in Zulu song
2016
Critical Arts, 'Extracurricular arts': Poverty, inequality, and indigenous musical arts education in post-apartheid South Africa
2016
African Music, "Umaskandi izibongo": Semantic, prosodic, and musical dimensions of voice in Zulu popular praises
2013
Actualites des Universaux en Musique/Topics in Universals in Music, 'Dismantling Music': Reductionist models and evolutionary explanations in music cognition
2010
South African Music Studies, 'Never the twain shall meet': Africanist art music and the end of apartheid
Grants and Contracts
2018
African Heritage Initiative Grant
Role:
Co-Principal Investigator
Funding Source:
The Center for Afroamerican and African Studies at the University of Michigan