So many of our artistic geniuses have complicated legacies. What do we do with work we love by artists whose behaviour is more difficult to admire?
Academic rigor, journalistic flair
Articles on Jane Campion
Displaying all articles
The Power of the Dog may have lead the pack when it came to nominations, but the big winner of the night was the understated CODA.
Narrative gaps and atmospheric touches in Jane Campion’s masterful neo-western draw viewers in to piece together connections.
English professor Frannie Thorstin gets tangled in a sticky web of male attention in the novel and film versions of In the Cut as she tries to sort the bad guys from the good.
Jane Campion’s second series of Top of the Lake, which premiered in Melbourne at the weekend, is an ominous, lyrical, genre-bending exploration of the sex trade.
Top contributors
-
Chair of Academic Board, Victoria University
-
Senior Lecturer, School of Humanities, UNSW Sydney
-
Lecturer in Communications and Media, University of Notre Dame Australia
-
Associate Professor, Griffith University
-
Adjunct assistant professor, University of Sydney
-
Lecturer, Fashion Enterprise, RMIT University
-
Professor, Rhetoric, Writing and Communications, University of Winnipeg
-
PhD Candidate, Flinders University
-
Senior Lecturer, University of Auckland, Waipapa Taumata Rau
