Museums are starting to present visual art in multisensory ways that audiences can touch and feel.
Richard Harlow of Blind Eye Works
New multisensory approaches to presenting visual art propose solutions to barriers that limit access for marginalized audiences.
Amsterdam, Netherlands - April, 2017: Visitors watching ‘The Night Watch,’ Rembrandt’s largest and most famous painting in Rijksmuseum’s Gallery.
The Dutch master has intrigued art-lovers for four centuries. His strength in depicting the human experience compels audiences even after four hundred years.
Mona Lisa, Musée du Louvre, Paris, April 2019.
Leonardo da Vinci's Mona Lisa is the world's most visited artwork. Its appeal rests partly on several mysteries.
Stories are a helpful tool when teaching about gender-based violence.
Sexual violence is a global phenomenon that's been around for centuries.
Leonardo da Vinci had a seemingly inexhaustible imagination for innovation.
Engineer, artist, mathematician, thinker: Leonardo da Vinci was all these and more.
Medieval churches have often suffered fires. A look at those in Britain shows that Notre Dame can be rebuilt.
Old man (possible self-portrait) and water studies, c 1508-9.
Leonardo's obsession with water flowed through his technical work, his art and his scientific ideas.
Artist Jennifer Rubell hired a model to vacuum for two hours each night from Feb. 1 to Feb. 17.
Ryan Maxwell Photography
A new piece of performance art features a lookalike Ivanka Trump vacuuming crumbs. Not only is it a cutting commentary on labor and gender, but it also highlights the complicity of the viewer.
A painting titled The Bridge Over the Waterlily Pond by Claude Monet.
AAP/National Gallery of Victoria
Bees can pick up unique characteristics in paintings by zipping quickly back and forth in front of them to detect abrupt changes in the brightness of an image.
‘Girl With a Balloon’ was renamed ‘Love Is in the Bin,’ after it self-destructed at a Sotheby’s auction on Oct. 5.
When artists destroy their works, it's usually to express their disdain for critics, dealers and curators. But does this get lost in the attention, hype and money that follows?
Mario Klingemann’s ‘Neural Glitch Portrait 153552770’ was created using a generative adversarial network.
Later this month, Christie's will be auctioning its first piece of AI art – a portrait created via machine learning.
They're silly, but the singer's statement pants are an important comment on female storytelling.
A self-portrait of the artist Thomas Eakins, one of the most celebrated painters in American history.
National Academy Museum, New York
If we’re going to grasp what makes Eakins' art so tragically powerful, we should be honest about the man who made them – and the impulses that drove him.
Sir Anthony Van Dyck’s Charles I. Google Art Project.
Charles I's belief that art was a way of projecting power bankrupted England and alienated his people. The rest is history.
Aphrodite of Menophantos, Praxiteles (4th century BCE). Palazzo Massimo alle Terme, Rome, Italy.
Five decades on from the original series our idea of what makes civilisation has broadened.
Detail from Little Big Woman: Condescension, Debra Keenahan, 2017.
Designed and made by Debra Keenahan, Photograph by Robert Brindley.
For centuries, women with dwarfism were depicted in art as comic or grotesque fairytale beings. But artists are challenging these portrayals and notions of beauty and physical difference.
A Confederate statue lies on a pallet in a warehouse in Durham, North Carolina after protesters toppled and defaced it.
AP Photo/Allen Breed
Over the course of human history, symbols and monuments have invoked violent impulses and destruction.
Was setting fire to all that money immoral waste, ritual sacrifice or artistic statement?
The Robert E. Lee statue for which the ‘Unite the Right’ rally was organized to protest its removal in Charlottesville, Virginia.
The violence sparked by the removal of Confederate statues in the US shows the ideas that collect around historical monuments. Sometimes it's better to remove them; yet they can be an important way of remembering trauma.
Is there a geometry lesson hidden in ‘The Last Supper’?
Mathematics and art are generally viewed as very different. But a trip through history – from an Islamic palace to Pollock's paintings – proves the parallels between the two can be uncanny.