Fragmented scenes shift backwards and forwards through time to build an absorbing picture of the circle of artists who gathered around the Reeds.
Academic rigor, journalistic flair
Articles on Australian artists
Displaying 1 - 20 of 21 articles
Studying in London, the young artist examined the human figure, animals in the zoo and the rich cross-section of theatre life and of life on the streets.
Vivienne Binns burst on to the art scene in 1967 – and she has been making art her own way ever since.
A new exhibition at Flinders University Art Gallery highlights Barbara Hanrahan’s sensory spirit, celebrating nature and unbinding social constriction.
In its centenary year, the Trustees of the Art Gallery of New South Wales could not resist the symbolism of awarding the Archibald Prize to Peter Werner’s portrait of the 100 year old Guy Warren.
Street artist Rone’s return to his home town gallery is sure to draw crowds — but his definition of ‘beauty’ is conventional and narrow.
An artist and self-proclaimed witch, Rosaleen Norton defied cultural norms in Menzies-era Australia. Reviled by the media, she was a powerfully unconventional woman.
In a year of lockdowns, The Impossible Project gives life to shows that never reached the stage. More than 150 events are listed on this online archive, and sadly, more are likely to come.
Asking Australians about their favourite art and artists reveals divides between those who like traditional versus contemporary forms. But Indigenous art transcends such categories.
Joy Hester’s entire body of work can be understood as an exploration of human relationships, connections, in all their complexity. A major retrospective now acknowledges her contribution.
COVID-19 has shown up a mind-bending contradiction. On one hand, the arts are entwined with our daily lives. Yet culture has disappeared from federal policy. Something has gone fundamentally wrong.
Nestled in the heart of Melbourne’s city laneways, Leonardo Art Shop - also known as Nibbi’s - provided inspiration and education to a generation of young artists.
New modelling from the Grattan Institute estimates up to 75% of people employed in the creative and performing arts could lose their jobs. Why don’t they have targeted support?
Artists have always created monsters to embody human fears. In this year’s Adelaide Biennial, Australian contemporary artists bring our past demons and current fears to life.
A new film uses pastiche to explore the whimsical world of cartoonist Michael Leunig - but the man himself gives little away and the film skates over his curlier controversies.
Guan Wei’s art, now on display at Sydney’s Museum of Contemporary Art, crosses both Chinese and Australian cultures, working together in harmony, best described as an aspect of feng shui.
Don’t blame the global financial crisis. The Australian art market has performed poorly over the last decade - but there is plenty of growth potential.
Best known as the subject of her husband Richard’s work, Pat Larter was herself a major artist.
Margaret Olley was known not only for her paintings, but her generosity. An exhibition of her work is currently on in Brisbane, alongside a survey of the work of Ben Quilty, her mentee and friend.
In our competitive and underfunded arts sector, power relationships are ever present. To address power imbalances, major structural change is needed.
Top contributors
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Joanna Mendelssohn is a Friend of The Conversation.Honorary (Senior Fellow) School of Culture and Communication University of Melbourne. Editor in Chief, Design and Art of Australia Online, The University of Melbourne
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Associate Professor and Principal Fellow (Hon), School of Culture and Communication, The University of Melbourne
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Professor of Classics, University of Newcastle
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Julian Meyrick is a Friend of The Conversation.
Professor of Creative Arts, Griffith University
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Associate Professor in Media, University of Notre Dame Australia
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Senior Industry Fellow, RMIT University
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Adjunct Senior Lecturer, Queensland College of Art, Griffith University
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Lecturer in History, La Trobe University
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Adjunct Professor of Art History, Australian National University
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Research Professor in Social and Cultural Theory, Institute for Culture and Society, Western Sydney University
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Lecturer, The University of Melbourne
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Honorary fellow of the Grimwade Centre for Cultural Materials Conservation, The University of Melbourne
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Emerita Professor, Art History and Curatorship, University of Adelaide
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Lecturer, Edith Cowan University
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Honorary Research Associate, University of Sydney
