The MonsterVerse is a slick, well-defined giant monster mythos that has further globalised Godzilla – and King Kong along with him.
Academic rigor, journalistic flair
Articles on Chinese cinema
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Ordinary, everyday experiences of the pandemic, such as mask wearing and quarantining, are rendered extraordinary through the show’s melodrama.
Everything, Everywhere, All at Once invokes Daoism, the Chinese school of thought that pursues balance and harmony.
Amid global a crisis, China rises to save the world – while Western countries descend into chaos.
Wong’s films explore the indelible passage of time as registered in the everyday lives of his unforgettable protagonists.
The history of martial arts films is almost as long as the history of cinema. Shang-Chi and the Ten Rings excitingly pushes the genre forward.
The story of Mulan has been told and retold for 1,600 years. This latest version is more conservative, when it comes to a woman’s place, than one told in the 17th century.
Chinese animated film Ne Zha is a box office phenomenon, but it also has a surprising story to tell about raising the ideal ‘guai’ child – for the family, and for the state.
Top contributors
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Senior Lecturer in China Studies, University of Otago
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Associate professor, Deakin University
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Teaching fellow, UNSW Sydney
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Professor of Film and Digital Arts, University of Bristol
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Senior Lecturer in Film, Queen Mary University of London
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Lecturer in East Asian Studies, University of Sheffield
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Senior lecturer, University of Newcastle
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Ph.D student at School of Humanities & Language, Faculty of Arts, Design & Architecture, UNSW Sydney
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PHD Candidate, Monash University
