The MonsterVerse is a slick, well-defined giant monster mythos that has further globalised Godzilla – and King Kong along with him.
Academic rigor, journalistic flair
Articles on Chinese cinema
Displaying all articles
Ordinary, everyday experiences of the pandemic, such as mask wearing and quarantining, are rendered extraordinary through the show’s melodrama.
Everything, Everywhere, All at Once invokes Daoism, the Chinese school of thought that pursues balance and harmony.
Amid global a crisis, China rises to save the world – while Western countries descend into chaos.
Wong’s films explore the indelible passage of time as registered in the everyday lives of his unforgettable protagonists.
The history of martial arts films is almost as long as the history of cinema. Shang-Chi and the Ten Rings excitingly pushes the genre forward.
The story of Mulan has been told and retold for 1,600 years. This latest version is more conservative, when it comes to a woman’s place, than one told in the 17th century.
Chinese animated film Ne Zha is a box office phenomenon, but it also has a surprising story to tell about raising the ideal ‘guai’ child – for the family, and for the state.
Top contributors
-
Associate professor, Deakin University
-
Senior Lecturer in China Studies, University of Otago
-
PhD candidate, UNSW Sydney
-
PHD Candidate, Monash University
-
Ph.D student at School of Humanities & Language, Faculty of Arts, Design & Architecture, UNSW Sydney
-
Senior Lecturer in Film, Queen Mary University of London
-
Senior lecturer, University of Newcastle
-
Lecturer in East Asian Studies, University of Sheffield
-
Professor of Film and Digital Arts, University of Bristol
