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Articles on Filmmaking

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A still from Dennis O'Rourke’s 1988 documentary Cannibal Tours. O'Rourke was part of a surge in Australian documentary making during the 1980s and 90s. Institute of Papua New Guinea Studios

Where are the in-depth documentaries calling to account the institutions that are failing us?

At a time when formulaic factual ‘content’ reigns on our TV screens, a new essay on Australian documentary making is a rallying call for those who believe the genre can effect social change.
In a new study, various creators described the process of obtaining copyright permission as ‘incredibly stressful’, ‘terrifying’ and ‘a total legal nightmare’.

How copyright law is holding back Australian creators

A new study has found copyright law can act as a deterrent to creation, rather than an incentive for it.
Director Asghar Farhadi wins the award for best screenplay at the 2016 Cannes Film Festival. Yves Herman/Reuters

How Iranian filmmakers like Asghar Farhadi defy the censors

Their critiques may be more gentle, their attacks more circumspect – but they are resonant nonetheless. And when filmmakers like Farhadi confront Trump, they’re on familiar turf: They’ve seen his type back home.
Starvecrow

How your smartphone is changing cinema

This year has already seen the first selfie movie, the first series to air on Instagram – mobile phones are increasingly playing a major role in the film world.
A cameraman films a scene for the Nollywood movie October 1, a police thriller directed by Kunle Afolayan, at a rural location in Ilaramokin village, southwest Nigeria. Reuters/Akintunde Akinleye

From Nollywood to New Nollywood: the story of Nigeria’s runaway success

From stories about cult and witchcraft to heartbreak and sorrow, Nigeria’s Nollywood has developed into Africa’s giant in filmmaking.
Award winning documentary The Wolfpack raises questions about the ethics of documentary filmmaking. © 2015 Wolfpack Project, LLC. Madman Films

Wolfpack and the ethics of documentary filmmaking

Award winning film The Wolfpack tells the story of five brothers who’ve spent most of their lives confined to a New York apartment. It raises questions about the ethics of documentary filmmaking.
Horror director Wes Craven was perhaps best known for his Nightmare on Elm Street and Scream series. Mario Anzuoni/Reuters

Wes Craven: the scream of our times

His tombstone may say Craven, but the director carved a bold and memorable niche in the horror genre.
A scene from the film ‘The Vow’, which is being shown at the Africa World Documentary Film Festival that aims to depict African stories through documentary. Photo supplied

Experiences of African people across the world brought to life through film

Cape Town’s screening of the Africa World Documentary Film Festival provides a platform for debate, and shows how documentary films clarify and complicate the answers.

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