A still image from Pipilotti Rist’s Ever Is Over All, 1997, single channprojectors, players, sound system, paint, carpet, courtesy the artist, Hauser & Wirth and Luhring Augustine.
© the artist
In 1997 Pippilotti Rist walked down a street of cars and smashed their windows in a vivaciously feminist call to arms. You might recognise the homage to Risk's work in Beyoncé's Lemonade.
Ohhh… Alright… (1964).
The New York Pop artist who turned dots into icons died 20 years ago.
The Warhol exhibition inspired thousands of selfies at the opening.
The Andy Warhol exhibition embodies so many of the contradictions, complications and conflicts in both art and society in contemporary South Africa.
Detail of Jim Dine,
The mighty robe I, 1985.
Colour lithograph with relief printing from polymer plates,
61.3 x 50.7 cm (image and plate), 89.2 x 63.4 cm (sheet)
National Gallery of Victoria, Melbourne Gift of the artist, 2016, 2016.806, © Jim Din
Jim Dine and other pop artists like Andy Warhol took everyday things and transformed them into magical objects. In his prints a robe could become a self-portrait, a president, or a hero.
Victoria Jones/PA Wire
Warhol has become one of the most well known artists in the world, but his work still has secrets to reveal.
Beyonce’s baseball bat wielding spree in Lemonade, left, bears more than a passing resemblance to the work of Swiss video artist Pipilotti Rist.
Left, still from Lemonade (2016), right, still from Ever is Over All (1997)
From Beyoncé and Lady Gaga to Kanye and even Rihanna, pop royalty is crazy for high art. Is this a phenomenon worth celebrating or are pop stars mining the art world to gain credibility?
A still from Lemonade: a new way of experiencing music.
Why must women's art be seen as autobiographical when we readily accept the idea of male auteurs spinning fictionalised yarns? In her much analysed video and album Lemonade, Beyoncé may be playing make believe.
The NGV’s summer blockbuster packs a double whammy.
© Ai Weiwei; Andy Warhol artwork © 2015 The Andy Warhol Foundation for the Visual Arts, Inc./ARS, New York. Licensed by Viscopy, Sydney.
The NGV's summer exhibition is curated to create a dialogue between Ai Weiwei and Andy Warhol, and this conversation operates on multiple levels on a variety of themes, and across time and space.