Teen boys who date adult women tend to experience their relationships differently than girls who date older men.
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Articles on Film
Displaying 201 - 220 of 1037 articles
Indigenous filmmakers are changing the world by telling their own stories in their own ways.
Many of Count Orlok’s characteristics have gone on to be canon in the lore of vampires.
Narrative gaps and atmospheric touches in Jane Campion’s masterful neo-western draw viewers in to piece together connections.
The caped crusader is back in another dark outing that speaks to this cultural moment.
The Asian American actress rose to fame in an era when white actors in yellowface were more likely to play Asian characters than Asian ones.
Paul Thomas Anderson is one of the most critically acclaimed directors of the 21st century with films like There Will Be Blood, Phantom Thread, and the new Oscar nominated Licorice Pizza.
Animation allowed the makers of Flee to tell a story that challenges the pervasive narrative of it means to be a refugee
Branagh’s adaptations are more concerned with Poirot himself than any of the suspects – the murder in this film only happens 70 minutes in.
A book that defies the usual mystery formula, Death on the Nile is more than just a clever tale about murder.
Andrea Arnold’s new film chronicles the daily strife of Luma – a dairy cow and mother.
Here Out West aims to shift the perception about what it means to tell contemporary Australian tales to a broad audience while staying true to the suburbs and communities of Western Sydney.
Women were not really present during the signing of the Four Powers Agreement but they were at home in parliament. Film often demand sexy more sympathetic female characters
Archives are working had to document stories from Protestants, Catholics, Nationalists, Unionists and even the British Forces.
There was a real man behind the swashbuckling hero who was as deft at sparring with his pen and sword as Rostand’s hero.
If Vallée’s films are so moving, it is because for him, cinema and television are an act of communication. He said he hoped his stories would “give back a little.”
The next time there’s a scene that makes light of gendered violence, pause and ask: what is really being shown here? Is this really all that funny or is it minimizing actual violence?
It’s the story of a man who just wants to get home for Christmas.
Can a film’s artful telling of experiences of stigma and HIV, using dance, help promote empathy and compassion?
While many actors may aim to fully “become” their character with the use of “method acting” it seems there is a serious misunderstanding of the term and what its founder actually had in mind.
Top contributors
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Lecturer in Communications and Media, University of Notre Dame Australia
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Associate Professor, Film Studies, University of Sydney
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Lecturer, Department of Film and Television Studies, University of Warwick
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Senior Lecturer in Screen Studies, University of South Australia
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Professor of Film Studies, Bangor University
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Professor of Screen and Design, Deakin University
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Visiting Research Fellow University of Chester, University of Chester
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Researcher and Sessional Tutor in Screen and Cultural Studies; Secretary for the Melbourne Cinematheque, The University of Melbourne
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Professor & Dean, School of Media and Communication, RMIT University
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Senior Lecturer in Film, University of Roehampton
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Professor of Film and Television, Goldsmiths, University of London
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Executive Director, Compton School
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Professor of Film and Screen Studies, University of Portsmouth
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Senior Lecturer in Film, UNSW Sydney
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Lecturer in 20th and 21st Century Literature, University of Exeter
