The Warrnambool potato harvest of 1881.
State Library of Victoria
Irish influence on Australian English is much like the influence of the Irish on Australians themselves — less than you’d expect on the surface, but everywhere once you start looking.
The income gap between men and women is wider in the arts than the average gap across all industries in Australia. This is especially so for female writers, visual artists and musicians.
The average Australian female artist is better educated than her male counterpart but earns significantly less than him, new research shows. And artists' incomes are declining in real terms.
A scene from Bangarra Dance Theatre’s Lore: the oldest continuing culture in the world resonates with overseas audiences.
Why do students still describe Australia as a 'young' country lacking culture? Are our universities doing enough to to teach Australian films, artwork and books?
Bachelorette Sophie Monk with this year’s contestants.
The Bachelorette might appear to be a progressive alternative to The Bachelor, but it is actually doing nothing for women when male bonds are central to its drama.
The Pool: Architecture, Culture and Identity, exhibition by Aileen Sage Architects (Isabelle Tolandand Amelia Holliday) with Michelle Tabet, commissioned for the Australian Pavilion by the Australian Institute of Architects for the Venice Biennale of Architecture 2016.
Swimming pools are much more than holes in the ground - they are often beautifully designed, as a new exhibition at the NGV shows. They also document Australia's history of racism and sexism, and gradual relaxation of social mores.
Discontinuities, a triple bill staged at La Mama in 2002.
From Cate Blanchett to David Williamson, some of Australia's most well known theatre artists have performed at La Mama, which celebrates its 50th birthday this year.
Australia's videogame industry has called for an end to the government's silence around funding. And with local games competing on the world stage, it's time for the cultural medium to be recognised alongside TV and film.
Waleed Aly’s 2016 Gold Logie win tells us that the audience has been more appreciative of Australian television’s diversity than the industry.
The Logies are fantastically daggy, but they let us compare audience and industry definitions of achievement. Looking back, it's clear the public celebrates new, diverse and varied television.
Small organisations are creating Australia's most exciting art. Yet a recent report shows that even the most popular art-forms are bleeding revenue, while government funding dwindles.
Pages one and two of issue 31 of OZ magazine.
UPS via Wikimedia
Richard Neville was a man of his times: a smart-alec student in the 60s; a drug-smoking hippie on trial in the 70s; to a family man, writer and public speaker in the 80s and 90s.
Meanjin has published leading writers, including Patrick White and Peter Carey.
The literary magazine Meanjin was founded to ensure the nation did not 'drop its mental life' during World War Two. Given the decision to starve it of funding, will future Miles Franklin winners be generated by blogs?
At what point does a wildly speculative idea become worthy of national and international press coverage?
The idea that the Australian accent may be the product of drunkenness in early European settlers is wildly speculative. And yet it has gained international attention in the past week. Why?
Angus Young is still touring the “Australian Sound” with AC/DC.
Blood + Thunder offers an entertaining insight into the development of the "Australian Sound" – but why do the producers fail to acknowledge the influence on the blues on that sound?
As always, funny young people are busy self-curating extreme carnival.
In Australia, from its beginnings, humour and irony have been small weapons in the armoury of the oppressed, the outcast, or those simply fed up with cultural uniformity.
Andrew Bovell’s adaptation of Kate Grenville’s The Secret River is a key example of post-Apology theatre.
AAP Image/Heidrun Löhr
It's been seven years since Kevin Rudd delivered his apology to Indigenous Australians. On Australia's stages dramatists continue to explore the ramifications of that apology and colonial history.
Graeme Macfarlane (Goro) and Hiromi Omura (Cio-Cio-San) in Opera Australia’s Madama Butterfly (2015).
Opera Australia has once again posted a major operating loss and is weathering criticism for its very safe repertoire. Both these points merit consideration in the federal government's National Opera Review.
Pukara, Roy Underwood, Lennard Walker, Simon Hogan and Ian Rictor, Acrylic on canvas, Western Australia, 2013.
© the artists, courtesy Spinifex Arts Project
The exhibition inevitably raises the ugly head of the Elgin Marbles – but all this noise drowns out the quiet activism of the show itself.
The Bogan Shire council plans to erect a 3.6 metre ‘Bogan’ for tourists to be photographed next to.
The NSW town of Nyngan has announced it will build a Big Bogan as a tourist attraction. The question is, what kind of bogan does the town council have in mind?
We know whether a play such as Andrew Bovell’s Secret River works onstage – but can we explain its effect?
AAP Image/Heidrun Löhr
Anyone who has seen a play can tell you whether it "works" or not – but very few people can tell you exactly why. We all need a better grasp of this. Why? So that playwriting can better represent contemporary Australia.
Five faces of oppression and Tony Abbott.
Elizabeth Tunstall with images drawn from Wikimedia.
Violence, exploitation, marginalisation: wow do we engage in the struggle against the many faces of oppression in contemporary Australia?