‘Bitches Brew’ and ‘Live-Evil’, two albums from Miles Davis’ electric period, have more than musicological significance. They challenge the listener to think beyond aesthetics and form.
Popular African musician Papa Wemba, who died recently, has been close to the heartbeat of the continent's music. His influence will continue long after his death.
Utopianism is a neglected prism through which to view Africa. It is the space where the intricacies of decolonisation and independence can be properly comprehended.