In the 10 years since Google Street View launched, the platform has provided ample fodder for artists, who have used it to comment on surveillance, poverty and gentrification.
Unlike Beyoncé, a group of Australian women documenting their own pregnancies captured mundane images of track pants, barren wardrobes and self-portraits in a bathroom mirror.
The Wildlife Photographer of the Year exhibition features sumptuous images: from giant cuttlefish courting to a vertigo-inducing portrait of an orangutan taken with a GoPro camera.
Jane Lydon, The University of Western Australia and Donna Oxenham, The University of Western Australia
Noel Pearson has accused the ABC of racism in dwelling on indigenous alienation. But many advances in the status of Aboriginal Australians have been prompted by revealing ill-treatment, which is why Ms Dhu’s family want footage of her last hours made public.
Selfies are blamed for encouraging everything from risky behaviour to rampant narcissism. But selfies can be potent acts of self-communication – and anyway, is self-regard a bad thing?
Social media is changing the way we travel, with people increasingly eager to visit Instagram-worthy destinations. Has a place’s visual appeal become more important than its history and authenticity?
It’s easier than ever to visually record our lives thanks to the smartphone and now Snapchat glasses, but many museums and other places are fighting a losing and misguided battle against the trend.
In 1967, as flower children across America marched against the Vietnam war, Diane Arbus chose to photograph a young man wearing a ‘Bomb Hanoi’ badge. What did she capture, about the boy and the time?
Honorary (Senior Fellow) School of Culture and Communication University of Melbourne. Editor in Chief, Design and Art of Australia Online, The University of Melbourne