Magda Szubanski’s engaging debut memoir, Reckoning, is an exercise in precisely that: reconciling the past. It is also a celebration of the life and career of one of our greatest comedians.
L’expertise universitaire, l’exigence journalistique
Articles sur Books
Affichage de 541 à 560 de 867 articles
From princes to pornographers, emblem books wowed 16th century Europe with their coded meditations on the meaning of life.
Marlon James’s book is a whirlwind of different voices ostensibly about the infamous failed assassination of Bob Marley in 1976.
Fanfiction is nebulous, confusing and often mocked. It’s also explosively popular. So what is it?
The latest version of Macbeth is stunningly cinematic and vehemently Scottish.
Michael Robotham is the second Australian writer to win the Golden Dagger, but is his book Australian? And does it matter?
While legal precedent makes banning books difficult, it still happens.
When only six people showed up for a panel designed to raise awareness of banned books, the pot needed to be stirred a bit.
In a world full of catastrophe, what good are books? Specifically, can books be written to do good?
Sex is part of young people’s lives. So how do we teach young authors to navigate tricky narrative waters when they write about it?
Tom McCarthy’s Satin Island is certainly an epoch-defining novel, at least inasmuch as it revolves around the task of defining our epoch.
Anne Summers’ ambitious 1975 book reframed Australian history by placing women at its centre. It was a book of its time. But its groundbreaking approach ensures it is also a book for today.
The Book Council of Australia began to take shape last week when MUP director Louise Adler was announced as its chair. But what is its purpose, and how will it embrace the industry’s new voices?
In the same week that Charlie Hebdo’s cartoon of Aylan al-Kurdi made the headlines, I’m reminded of another controversial image. In 1840, J M W Turner exhibited what would become one of his most famous…
Recent events in Mexico’s drug war could easily have been depicted in Don Winslow’s twin novels The Power of the Dog and The Cartel. Drug war capitalism is, at times, stranger than fiction.
The book prize is the publisher’s answer to the persistent grumble that fiction is in its death throes; an attempt to combat the perceived threat of the digital.
When most people think of book censorship, they imagine political regimes and potentially book burning in Nazi Germany. What is little considered is that most books that have been challenged or banned are books for young people.
Pratchett’s work is often classified as ‘genre fiction’ rather than literary fiction. Yet his relationship with genre is complex and adversarial. He sets genre stereotypes up to be deconstructed.
Reading instruction in the classroom is a key concern for all teachers and there are many ways to go about it. However, is our determination for excellence in reading skills in our children killing their love and enjoyment of a good book?
David Attwell’s new book is the first extended investigation of the South African author composed since the recently-opened Coetzee archive at the University of Texas. So what does it teach us?
Les contributeurs les plus fréquents
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Associate Professor in Literary Studies, Monash University
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Associate Professor in Media, University of Notre Dame Australia
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Lecturer, School of Design, University of Technology Sydney
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Honorary Associate in Creative Writing, The Open University
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Executive Dean (interim) Faculty of Arts and Design, University of Canberra
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Lecturer of English, University of Liverpool
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Visiting Fellow, Centre for Cultural and Creative Research, University of Canberra, University of Canberra
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Professor in Publishing Studies, University of Stirling
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Dean of Research (Creative), University of South Australia
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Associate professor, University of Notre Dame Australia
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Associate Professor, School of Languages, Literatures, Cultures and Linguistics and Fellow of the Australian Academy of Humanities, Monash University
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Professor of Reading and Children’s Development, The Open University
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Adjunct assistant professor, University of New England
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Emeritus Professor of Australian Literature, University of Sydney
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Director, Monash University Publishing, Monash University
