Crime fiction is the second most popular literary genre in Africa after romance. A reading of Kenyan author Mũkoma wa Ngũgĩ’s Black Star Nairobi reveals how it has disrupted the genre.
A group of leading black, queer and feminist academics held a colloquium to reconsider a seminal blackness studies text – offering new ways of thinking about the decolonial project.
Food is an increasingly popular ingredient in crime fiction, serving up insights into the character of the detective hero and adding spice to the mystery.
Australia’s rich tradition of crime fiction is little known – early tales told of bushrangers and convicts, one hero was a mining engineer turned amateur detective – but it reveals a range of national myths and fantasies.
Mid-20th century pulp fiction was trashy, tasteless, exploitative and lurid. There’s a lot there to love. You might read pulp as a cultural Freudian slip, loony bulletins from the collective Id.
A new novel starring Lisbeth Salander has been written, despite creator Stieg Larsson’s death. But is it a continuation, adaption, or pale imitation? What gets lost when authorship changes hands?