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Catherine Martin, winner of both best costume and production design. Paul Buck/AAP

Oscars 2014: another lesson in Hollywood power

Once again the Academy has spoken. The roughly 6,000 members of that exclusive industrial club have had their annual votes counted. More members thought 12 Years a Slave a better film than Gravity, and…
Lupita Nyong'o won Best Supporting Actress at the 2014 Oscars. Paul Buck/EPA

The Academy Awards and racial diversity – what are the odds?

Oscars nominations and winners this year offered an unparalleled level of racial diversity. In the headline categories, Lupita Nyong’o won for Best Supporting Actress, Alfonso Cuarón was the first Mexican…
Zero gravitas. Warner Bros. Pictures

Why Gravity does not deserve the Best Picture Oscar

Gravity has been nominated for ten Oscars, and sauntered away from the BAFTAS with a controversial Outstanding British Film award under its belt too (much of it was shot in the UK, yes, but the stars shining…
Cinema group Hoyts may find itself on the market again, but the giant could face a rocky few years. Flickr/Devar

No plain sailing for cinema giant as Hoyts heads to float

Cinema company Hoyts Group is again considering listing on the stockmarket, tipped to take place sometime later this year. It’s expected that the float will be valued at around A$700 million. The group…
Tom Hanks stars in the Best Picture-nominated film, Captain Phillips. Can Hollywood dish out moral lessons? EPA/Warren Toda

Oscars-worthy: dramatised acts of giving don’t redeem Hollywood

It’s Oscars season and there’s plenty of controversy, as usual, about what’s made the cut and what hasn’t. But I want to focus on what will be the most dramatised moment of Sunday’s award ceremony: the…
Cult director Godfrey Reggio’s latest film, Visitors, screened in Sydney last week – with a live performance of the Philip Glass score. Prudence Upton/Sydney Festival

After Koyaanisqatsi, Godfrey Reggio’s Visitors – review

Godfrey Reggio’s film Visitors, which screened last week with a live Philip Glass score at the Sydney Opera House, represents the continuation of an aesthetic project that began with the landmark Koyaanisqatsi…
Sometimes too much is just too much. Martin Scorsese’s latest film is swamped by its excesses. Paramount Pictures

The Wolf of Wall Street is a howling disappointment

The Wolf of Wall Street is Martin Scorsese’s Scarface – and that isn’t meant as a compliment. I watched Brian De Palma’s 1983 film again recently. I had been looking forward to it: the Blu-ray edition…
How keen are Australians to see locally made films such as The Sapphires? AAP Image/April Fonti

Explainer: where’s the audience for Australian films?

Around 25 new Australian feature films are released into the market each year – so who’s watching them, when and how are they watching, and what makes them choose home-grown films over imported blockbusters…
The meaning of independent film has changed since Robert Redford established the Sundance Film Festival in 1981. EPA/George Frey

Is the Sundance Festival arthouse – or just Hollywood as usual?

The 2014 Sundance Film Festival starts today in Park City, Utah. Launched in 1981 by Robert Redford and friends, this year’s festival showcases a selection of new independently produced films, all vying…
Lupita Nyong'o and Alfre Woodard star in Steve McQueen’s new biopic. Chris Pizzello/AP

A life more terrible: the women of 12 Years a Slave

The United States was in the middle of a civil war 150 years ago and, while Abraham Lincoln had just issued the emancipation proclamation, it would still be another 18 months until freedom finally came…
HG Wells (left) with actors on the set of Things to Come, a 1936 adaptation of his futuristic novel. James Vaughan

Cinema classics: five of the best science and technology films

Cinema did not emerge from a eureka moment, but rather through the incremental innovations of pioneers such as the Lumière brothers, Étienne-Jules Marey and Thomas Edison. So it is unsurprising that filmmakers…
Adele Exarchopoulos and Lea Seydoux, stars of Blue is the Warmest Colour, at the Cannes Film Festival. EPA/Ian Langsdon

Strong, diverse and controversial: queer film in 2013

From limited theatrical releases to the queer film festival circuit – and being refused classification – 2013 has seen films with LGBT content distributed to audiences by a variety of means. Box office…
Peter O'Toole at the 2007 Oscars. EPA/Sean Masterson

Remembering Peter O'Toole

I cannot be entirely sure – the building is now entirely refurbished under a new name, and there is no easily accessible record, but sometime around 1970 I believe I saw Peter O'Toole in Waiting for Godot…
The jury of the 2013 Cannes Film Festival had its say on the films of the year in May. EPA/Guillaume Horcajuelo EPA/Sebastien Nogier

The good, the bad and the groundbreaking: movies of 2013

Warning: this is not a list of the best movies of 2013. There were plenty of movies released this year that stirred up debates about cinema and who makes it. They were the ones that made me sit up and…
If only you could see what I’ve seen with your eyes … Jodi Sita

What eye tracking tells us about the way we watch films

In Blade Runner (1982), Roy Batty, the leader of an outlaw group of Nexus-6 replicants, undertakes a quest to “meet his maker”. When he encounters Chew, the genetic designer of his eyes, he mocks: “Chew…
An excerpt from Alison Bechdel’s comic strip, Dykes to Watch Out For (1985). Wikimedia

What the Bechdel test doesn’t tell us about women on film

Four cinemas in Sweden recently pledged to rate films based on whether they pass what is known as the “Bechdel test,” a means of evaluating gender bias in film, named after American graphic artist Alison…

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