A recent study found only two transgender characters appeared in TV dramas from 2011-2015. When will our television screens reflect a more diverse world?
New research reveals that about half of opinion pieces in mainstream newspapers and television are so racist they potentially breach industry codes of conduct.
Movies often portray the city as a dystopia, particularly in the ‘neo-noir’ genre, which explores postmodern themes. TV shows and ads present an altogether sunnier picture of life in the city.
The CBC has unveiled its revamped flagship news show, “The National,” with a brand new four-anchor format. The role of the news anchor has changed dramatically over the last 20 years.
The Bachelorette might appear to be a progressive alternative to The Bachelor, but it is actually doing nothing for women when male bonds are central to its drama.
Astronauts traveling to Mars and beyond would face serious psychological challenges. A well-designed media program – based on an old-fashioned schedule – might help make life at least a bit easier.
After footage from America’s first ‘living room war’ shocked the public, the government would clamp down on media coverage of future military conflicts.
Those calling it slavery fan fiction are ignoring the long, nuanced tradition of articles and films that wonder what would have happened if the South had won.
Australian TV has been slow to enter the sci-fi genre, but the success of series like Cleverman shows we could have our own distinct brand of local sci-fi.
A spate of recent TV shows feature protagonists whose mental health condition gives them special skills. But these are often accessed by rejecting medication.
Online video is flourishing in Australia with very little government attention. Content creators like Youtube channel RackaRacka are getting millions of viewers, numbers the traditional screen industry can only dream of.
In the wake of Trump’s proposed transgender military ban, new research highlights the potential for entertainment –more than news coverage – to open minds on even the most polarizing issues.
The weather segment at the end of news bulletins has stuck to a familiar format for more than 50 years. But the question of who should actually present the weather has been in a constant state of flux.