Kieran Hurley’s new play treads the familiar debate of millennial precarity versus boomer affluence with verve and insight.
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There will be almost 3,000 shows playing at this year’s Fringe, which can feel a little daunting, especially for the first timer. Here’s how to get it right.
Foot stomping songs and charismatic performances make the stage adaptation of the 1970s TV series a hit.
There is a great track record of musical theatre tackling political material. Bloom seems too afraid of its own subject material to truly tackle the issues.
A powerful play that puts the voices of the people first.
The relationship between universities and performing arts training in Australia has often been uneasy or contentious.
My top three works situated witnessing as a political act. These works invite you to revisit what you thought you knew.
As more people find themselves in poverty, the play’s mix of fictional story with real-life testimony powerfully tells the story of what it’s like to navigate the benefits system in the UK.
The book is a hard read and some say the play is an even harder watch - is it just trauma porn?
Compared to the dopamine-fest of season one, Josh and Melissa’s situation in season two feels bleak.
2023 sees the UK host the Eurovision Song Contest on behalf of Ukraine. But what role does the stage itself have to play in the musical spectacle?
Without the First Folio, the canon of Shakespeare’s plays would have decisively shifted.
Amid ecological and social change and economic instability, theatre artists in Saskatchewan, Alberta and Manitoba are mapping possible outcomes and goals.
Erving Goffman’s The Presentation of Self in Everyday Life is a ‘bible’ for scholars, voted a top 10 book of the 20th century. It also fascinated general readers, as a guide to social manners.
The Globe has used both its theatres in tandem for a single production, for the first time in its history.
In a story where you have to choose your words carefully, it’s important to convey meaning to audiences in other ways.
Shakespeare’s Conrad is now an ambitious ‘story producer’. With an eye over all the ‘Nothing Island’ action, he seeds rumours that bloom into reality TV gold.
Maeve Marsden’s play lays bare what happens when love and family are politicised.
Calls to decolonise curricula overlook the many ways in which Shakespeare’s plays are constantly being reinterpreted and revitalised in performance.
Theatre censorship laws stifled Black playwrights for more than 200 years – here’s what we found in the archive.
Kontributor teratas
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Professor of Creative Arts, Griffith University
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Researcher, The Australian Centre, The University of Melbourne
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Adjunct Associate Professor, Auckland University of Technology
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Lecturer in English, Australian National University
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Professor of Drama and Theatre Studies, Royal Holloway University of London
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Canada Research Chair in Socially Engaged Theatre; Director, Centre for Socially Engaged Theatre (C-SET), University of Regina
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Senior Lecturer, English and Theatre Studies, The University of Melbourne
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Associate Professor of English Literature, University of Sydney
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Senior Lecturer in Theatre and Performance Studies, UNSW Sydney
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Lecturer in Theatre, The University of Melbourne
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Sessional lecturer and researcher, The University of Melbourne
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Professor of Shakespeare and Early Modern Drama, The University of Melbourne
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Lecturer in Musical Theatre, Griffith University
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Hon Research Fellow in Poetry and Theatre studies, The University of Western Australia
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Associate Professor, History, Macquarie University
