Evelyn Araluen’s award-winning book Dropbear is a sizzling collection of poetry and prose that is both deeply funny and deadly serious.
Academic rigor, journalistic flair
University of Notre Dame Australia
The University of Notre Dame Australia was founded through an Act of the Parliament of Western Australia in December 1989. Since its inception, Notre Dame has become a leader in higher education and now boasts over 11,000 students enrolled across its three Campuses in Fremantle, Sydney and Broome.
Notre Dame is an Australian university which has embraced both the modern Australian university tradition and the ancient and esteemed traditions of Catholic universities both in Europe and North America.
It has sought to be a university which specialises in excellence of undergraduate education. Its focus is the education and training of young people for entry to the major professions: medicine, law, teaching, nursing, accounting and finance, physiotherapy, counselling, health sciences and the priesthood.
The University is especially noteworthy for its role as a leader in the great traditional professional disciplines of Health and Education, so long associated with the mission of the Church in Australia. It has also assumed a special role in the education of, and service to, the indigenous people of northern Australia.
In the 2016 Good Universities Guide, Notre Dame was awarded 5-star ratings in the following categories: Teaching Quality; Generic Skills; Overall Graduate Satisfaction; Getting a Full Time Job; and Graduate Starting Salary. This is the ninth consecutive year that Notre Dame has received the maximum 5-star ratings in Teaching Quality, Generic Skills and Overall Graduate Satisfaction and the second year the University has received 5-star ratings in the categories of Graduate Starting Salary and Getting a Full Time Job.
Links
Displaying 1 - 20 of 262 articles
For the first time, only one novel has been shortlisted, amid works of poetry, essays and graphic fiction. They tackle big issues - racism, grief, sexual abuse - but are leavened by joy.
The Power of the Dog may have lead the pack when it came to nominations, but the big winner of the night was the understated CODA.
There are not many strong contenders for Best Picture at this year’s Academy Awards. Our expert picks his winner and names a couple of blockbusters that didn’t make the grade.
In her brave new book The Cost of Labour, Natalie Kon-yu examines the mental stresses women face in pregnancy and childbirth.
Paul Thomas Anderson is one of the most critically acclaimed directors of the 21st century with films like There Will Be Blood, Phantom Thread, and the new Oscar nominated Licorice Pizza.
New Year’s Eve is the anniversary of the British invaders’ first kidnapping of a First Nations person in Australia. This kidnapping led to a devastating smallpox outbreak.
Western Australia’s Aboriginal Cultural Heritage Bill 2021 is set to become law. But the new legislation states one elected official will decide whether heritage sites are destroyed for development.
The final days of parliament for 2021 have been marked by a spate of floor crossings. But it may not be as ‘shambolic’ as it seems.
This year’s Sydney Film Festival had a wealth of brilliant films to choose from - here’s our critic’s top picks.
From Molly Reynolds and Shekhar Bassi, ShoPaapaa is a mundane and excruciating 95 minutes – but will become an enduring portrait of 2020.
The message of Eva Orner’s new documentary is spot on, the logic of its argument faultless. But it tells us things more than it makes us feel things, and this is seldom beneficial in the medium.
A true hoax provokes. It questions cultural biases, shattering conventions. But the curious case of the three men writing as a female author Carmen Mola does none of this.
A new book looks at the family court system, just as the Family Court of Australia merges with the Federal Circuit Court.
We are living through a one-in-one hundred year event. We are all doing the best we can. And that’s not only OK, it’s enough.
Netflix requires its narrative feature films be shot on approved cameras. This can lead to a flat, depthless look, in contrast to the graininess of celluloid.
Words associated with madness and emotion are used against women to discredit them and undermine their authority.
The problem isn’t the film’s adherence to a tried and true formula, or its absolutely rudimentary narrative, but the flat and careless execution of it all.
Now, for the first time in Australian history, trauma is trending in the wider public discourse. What does this shift in public consciousness mean, and where is it taking us?
This year, with shrinking audiences and pandemic restrictions, there was a bitter irony in the fact women won more Oscars, across new and highly visible categories, than ever before.
Authors
-
Senior Lecturer in Theology, University of Notre Dame Australia
-
Adjunct Professor and Senior Research Fellow, University of Notre Dame Australia
-
Lecturer in Communications and Media, University of Notre Dame Australia
-
Associate Professor in Media, University of Notre Dame Australia
-
National Head of School, University of Notre Dame Australia
-
Senior Lecturer in Social Justice and Sociology, University of Notre Dame Australia
-
Associate Professor, University of Notre Dame Australia
-
Senior Lecturer, School of Medicine, University of Notre Dame Australia
-
Associate Professor, University of Notre Dame Australia
-
Lecturer Politics and International Relations, University of Notre Dame Australia
-
Clinical A/Prof Breast Physician, Westmead Breast Cancer Institute, University of Notre Dame Australia
-
Adjunct Lecturer in Writing, University of Notre Dame Australia
-
Lecturer in Counselling, University of Notre Dame Australia
-
Senior Lecturer in Film and Media, University of Notre Dame Australia
-
Associate Professor in Nursing (mental health), University of Notre Dame Australia
