The recently broadcast TV mini-series, “Mars”, combines fiction and nonfiction in a way that places them in balance. This kind of combination is likely to feature in more television series and films.
The Logies are fantastically daggy, but they let us compare audience and industry definitions of achievement. Looking back, it’s clear the public celebrates new, diverse and varied television.
The new motoring series will be used to help launch another video on demand service in Australia. But will consumers find away to access the show and avoid paying another fee?
How does Donald Trump, the son of a millionaire, manage to be an ‘outsider’? A clue might be found in The Apprentice, a melodrama which uses exaggerated emotion to tell the story of an underdog overcoming adversity.
Changes to the ABC’s science show Catalyst follow recent criticism of some of its journalism. But will the new format still give a voice to Australian science, or will some issues lose out?
The 1980s cult show Fat Tulip’s Garden fuelled the creativity of its young viewers. But in a digital age, are children less exposed to this kind of absurdist, performative storytelling?
From a single volunteer with 8mm film to live broadcast on a commercial TV network, the media coverage of the Paralympic Games has come a long way since its inception.
An Australian VFX company has won an Emmy for its work on season six of Game of Thrones. Over eight months a team of 120 pulled out every trick in the book to create the visceral ‘Battle of the Bastards’.
With a pilot that was deemed too complex and cerebral, ‘Star Trek’ looked dead in the water. Fifty years later, we look back at the show’s rocky beginnings.