Choreographer and dancer Gregory Maqoma helped create the production.
Stella Olivier/The Head & The Load
The Head & The Load finally reaches Johannesburg after delays caused by the COVID pandemic.
Odunlade Adekola stars in Elesin Oba, The King’s Horseman.
EbonyLife Media/Toronto International Film Festival/Netflix
Elesin Oba, The King’s Horseman, is a film of a play by author and activist Wole Soyinka. It premieres at the Toronto International Film Festival.
Filmmaker Biyi Bandele (left) directing the TV series Shuga in 2015. He was also a theatre maker and novelist.
Pius Utomi Ekpei/AFP via Getty Images
From Blood Sisters to Half of a Yellow Sun, he was loved for his TV series and films as well as his novel Burma Boy.
Photo courtesy Simphiwe Dana
Moya is a show that seeks a spiritual awakening, especially after the trauma and isolation of the COVID-19 pandemic.
Bernardo Guiamba (aka Pak Ndjamena) from Mozambique has created an inspirational new dance film.
Mariano Lopes Silva
Durban’s Jomba! festival is now 100% online and free, and there has been a move from stage art to screen dance.
Nigerian playwright Ola Rotimi on one of his stage sets.
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The renowned playwright saw theatre as a link to the wider community - and ultimately our common humanity.
About 62% of Sierra Leonean women aged 15-49 have experienced physical or sexual violence.
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Theatre is able to create a space for discussion about how and why women experience physical and emotional violence.
The Fugard Theatre’s revival of the South African musical King Kong in 2017.
Daniel Rutland Manners/Courtesy The Fugard Theatre
The independent theatre will be a monument to how a failed department of arts and culture could not match state support with public philanthropy.
Zenzo Msomi as Sipho (front) and Ngcebo Cele as Andile in Ulwembu.
Val Adamson/Ulwembu
With the community, the group of theatre-makers and academics created a play that could also serve as a policy brief on what’s missing from the battle to reduce drug use in Durban.
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As it toured schools, the play Talk to Me, about two friends and HIV, was able to create brave and safe spaces for conversation about a challenging subject.
Vumani Oedipus being staged at the Market Theatre in Johannesburg.
Wits Theatre
Is there value in reviving Western classics in post-colonial (South) Africa? Is this not perpetuating Western cultural imperialism?