Amanda Tink is one of many autistic people with reservations about Mark Haddon’s bestseller, which perpetuates harmful myths. But new productions starring autistic actors are a positive development.
When the future is clearly changing but we can’t focus on tomorrow, should we just keep dancing? Pamela Rabe anchors the absurdity of The Cherry Orchard.
An early review of Patrick White’s A Cheery Soul said it ‘upset everybody who saw it’. But this extraordinary play, once a victim of 60s cultural cringe, marked a turning point in Australian theatre.
Belvoir St Theatre’s production of Twelfth Night features veteran actor Keith Robinson, who returns to the stage after recovering from Guillain-Barre Syndrome. There’s radical potential in cross-mobility casting – but Belvoir doesn’t quite get there.
Seventeen is the story of teenagers on the brink of adulthood; its canny trick is a cast of actors in their 70s. Despite this, it’s a conservative play that adheres to a predictably happy ending.
This coming weekend’s Rugby League Grand Final has already made history. The South Sydney Rabbitohs, a team that were on the chopping block just over a decade ago, are now in the big game – against the…