From Broome-based dance company Marrugeku, this new work is a throbbing protest about the violence experienced by Indigenous, racial, trans and queer Australia.
This third, and possibly final, biennial shows artists are deeply embedded in the politics of today.
Carriageworks did everything right but was struggling even in regular conditions. Now the organisation’s troubles are emblematic of an arts sector on the edge – but there might be a brighter future.
Carriageworks is not a conventional art space. It is a space of and for community.
How is it that contemporary painting has dug its heels in, so to speak, and refuses to look like a painting anymore?