Fiona Hall ‘EXODUST’, 2021, burnt tree, rope, iron bell, LED lighting,
eucalyptus sapling, birds’ nests, water-based oil.
on burnt book, water-based oil on burnt fabric,
installation dimensions variable
Courtesy the artist and Roslyn Oxley9 Gallery, Sydney © the artist Photo: AGNSW, Felicity Jenkins
This third, and possibly final, biennial shows artists are deeply embedded in the politics of today.
What happens when the gap between a company and its umbrella group gets too wide? We're about to find out.
Log Dog fits well within Aleks Danko’s body of radical – but fun – art.
Image courtesy of the artist and Museum of Contemporary Art Australia
'Objects are to be punned into symbols. Words can be dissected and distorted to change or multiply their meanings.' Welcome to Aleks Danko's radical – and fun – body of work, on show at the VCA.
Close has pushed the limits of the humble print.
Pace Gallery, New York © Museum of Contemporary Art, photo: Jess Maurer
With more than 200 prints on display, Chuck Close: Prints, Process and Collaboration is one of the biggest printmaking exhibitions to be held in Australia. The whole top floor of Sydney’s Museum of Contemporary…