One of the most powerful images at this year’s Venice Biennale is Christoph Büchel’s.
Barca Nostra, 2018-2019,
Shipwreck 18th of April 2015.
La Biennale di Venezia
Often called the 'Olympic Games of art', the Venice Biennale's national pavilions are an outlier in a globalised world. This year's strongest works explore global issues like refugees and climate change.
Igor Sas in Water. The play deals with the issues of ‘illegal’ immigration and environmental crisis in three narratives.
Daniel J Grant
In the vein of Arthur Miller, a new play sees family drama and political issues clash in an enclosed space.
Natalie Christie Peluso in The Children’s Bach. The opera is based on Helen Garner’s novella of the same name.
It is rare to have a new production of an Australian opera - a vivid new performance of The Children's Bach was refreshing to see.
Scott Sheridan and Natasha Herbert in Cloudstreet, a new production of the stage adaptation of Tim Winton’s literary epic.
A new production of Cloudstreet - the play adapted from Tim Winton's literary epic - is visually arresting. But despite a diverse cast, Indigenous characters remain spectral and peripheral.
Garry Sibosado, Aalingoon (Rainbow Serpent), 2018, ochre pigment on engraved pearl shell, detail.
Courtesy the artist
Indigenous artists and arts centres from the Kimberley region were invited to help curate this new exhibition, presented as part of the Perth Festival 2019.
Ian Wilkes in Kwongkan, an artistic collaboration between Australia and India.
An artistic collaboration between India and Australia, playing as part of this year's Perth Festival, stirs its audience to action on climate change.
Cherish Violet Blood as Lila in Deer Woman, playing at this year’s Sydney Festival.
Deer Woman, written, directed, designed, composed, stage managed and performed by First Nations artists from Canada, is anchored by a solo performance of fierce skill, focus and precision.
Tony Albert Girramay/Yidinji/Kuku Yalanji peoples. Australia Qld/NSW b.1981.
Mid Century Modern (series) 2016
Pigment prints | 24 works: 100 x 100cm (each)
Collection: The artist. Courtesy: Sullivan+Strumpf, Sydney
Tony Albert reassembles items of 'Aboriginalia', featuring kitsch caricatures of Indigenous people, with wit, playfulness and serious intent.
Melita Jurisic as the mother who confines her four daughters to their house for eight weeks of mourning.
Federico Garcia Lorca's shocking civil war play is successfully transferred to the Australian desert by the Melbourne Theatre Company.
Annabel Matheson as Liddy in Terrestrial.
In Terrestrial, teenager Libby wants aliens to whisk her across the galaxy to escape her abusive father.
Archaeologist Dr Jacqueline Black (Megan Wilding) becomes the superhero Blackie Blakie Brown.
© Daniel Boud
Nakiah Lui's Blackie Blackie Brown is an explosive collision of genres that executes Indigenous justice with extreme prejudice.
Taylor Mac sacrificed the audience in a ‘Radical Faerie realness ritual’. Fortunately we survived.
2017 gave us a blockbuster female superhero, radical faerie realness rituals, and the 'frenetic flapping of male genitalia'. Here's what our arts critics made of all that.
Visitors take in Cameron Robbins’ Field Lines at Dark Mofo at the Museum of Old and New Art.
Many great artists died in 2016: Bowie, Prince, Leonard Cohen, Paul Cox, Shirley Hazzard. It was a year of creative foment and as always, intense debate about the importance of the arts to a thriving, democratic society.
The NGV’s summer blockbuster packs a double whammy.
© Ai Weiwei; Andy Warhol artwork © 2015 The Andy Warhol Foundation for the Visual Arts, Inc./ARS, New York. Licensed by Viscopy, Sydney.
The NGV's summer exhibition is curated to create a dialogue between Ai Weiwei and Andy Warhol, and this conversation operates on multiple levels on a variety of themes, and across time and space.
The viewer is asked to suspend disbelief and journey through the realms of the unconscious.
James Gleeson. We inhabit the corrosive littoral of habit 1940. Oil on canvas. 40.7x51.3cm. © Courtesy of the artist’s estate
Lurid Beauty is the first major examination of Australian Surrealism and its profound impact on Australian art from the 1930s to the present day. So how does it all hang together?
Parke raises important questions about whether humanism is desirable or even possible in photography today.
Exhibition space, Monash Gallery of Art.
The title of Parke's current exhibition alludes to a 19th-century faith in the camera’s mechanical vision as superior to human vision – while also complicating that assumption for modern viewers.
Munroe has taken the principles of clear communication to what feels like their furthest extent.
In his new book, Randall Munroe of xkcd fame takes the principles of clear communication to what feels like their furthest extent, but there's a place for dense grammar in our theories and ideas.
The exhibition includes the kind of art not held in any Australian collection.
Sir Edwin Landseer, Rent-day in the wilderness, 1868. Trustees of the National Galleries of Scotland
Anyone who has even a passing interest in art exhibitions or how culture can define a country should allocate a good few hours to contemplating these riches from the National Galleries of Scotland.
Violence. Yes. Glamour. Yes. But the most engaging element of Spectre may be its tone.
Spectre is a return to form for the series, and the best of the Daniel Craig films, tying together the legend with a narrative that incorporates and develops the past 50-plus years of Bond.
A new exhibition examines the meaning and enduring influence of the colour blue.
National Gallery of Victoria
Blue crops up in all sorts of idioms and registers. But, as a new National Gallery of Victoria exhibition demonstrates, there's more to the colour, and its long history, than meets the eye.