A large bowl or pan thought to have been made in Sydney by the potter Thomas Ball between 1801 and 1823.
Courtesy of Casey & Lowe, photo by Russell Workman
Though the Indigenous inhabitants were using white clay long before them, Sydney-made pottery helped colonists maintain different aspects of 'civilised' behaviour.
Sabbia Gallery - Alison Milyika Carroll working on a pot at Ernabella Arts ceramic studio, 2017.
Photo Ernabella Arts, Courtesy of Sabbia Gallery
Clay Stories, a travelling exhibition, showcases ceramic art from Indigenous artists across the country. It is a triumphant display of specific stories and Dreamings, standing against cultural and political amnesia.
Margaret Dodd’s Bridal Holden, 1977, ceramic sculpture, 24 x 42 x 20 cm.
Clay Glen. Courtesy The Cross Art Projects.
When the General Motors Holden factory closes at Elizabeth in October, an Australian icon will no longer be made here. But the Holden has been remade through art.
Awaiting a more useful life?
Richard Webb/Wikimedia Commons
The world's landfills are growing, which has prompted the search for new industrial processes that can use everyday waste items in some surprising ways.
A ceramic vase repaired by Guy Keulemans using photoluminescent pigment.
We tend to throw away broken things, but the Japanese art of kintsugi – repairing broken ceramics with gold and silver – can give us a different perspective on waste.
The ace of cups.
Ten years ago, the English Potteries looked to be breathing their last. Their reinvention should bring hope to struggling manufacturing bases everywhere.