Key to the success of the much-lauded Fleabag is its creator's repurposing of two cliched narrative devices: flashback and breaking the fourth wall.
Academic rigor, journalistic flair
Articles on television series
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The new Netflix sci-fi series, with a gumshoe cyborg as its chief protagonist, mines a host of contemporary anxieties and aesthetic influences.
Original content made by subscription and on demand platforms such as Netflix and Amazon is taking off – but what does that mean for women screenwriters and producers?
The recently broadcast TV mini-series, “Mars”, combines fiction and nonfiction in a way that places them in balance. This kind of combination is likely to feature in more television series and films.
Top contributors
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Professor of Creative Writing, University of Technology Sydney
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Senior lecturer in Screen Production and Film and Television Studies, University of Cape Town
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Postgraduate Researcher in Television, S.V.o.D and Gender, University of Salford
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Faculty of Arts, The University of Melbourne
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PhD candidate at RMIT and tutor in screenwriting, The University of Melbourne
