Key to the success of the much-lauded Fleabag is its creator's repurposing of two cliched narrative devices: flashback and breaking the fourth wall.
The new Netflix sci-fi series, with a gumshoe cyborg as its chief protagonist, mines a host of contemporary anxieties and aesthetic influences.
Original content made by subscription and on demand platforms such as Netflix and Amazon is taking off – but what does that mean for women screenwriters and producers?
The recently broadcast TV mini-series, “Mars”, combines fiction and nonfiction in a way that places them in balance. This kind of combination is likely to feature in more television series and films.