TV shows that don't provide an accurate portrayal of eating disorders do a disservice to their viewers.
Academic rigor, journalistic flair
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Netflix has chosen a high-quality Mexican arthouse movie as a flagship production for its new distribution model.
While thousands have called for the show to be cancelled, Insatiable actually does a good job of depicting the complex nature of disordered eating, sexuality and female pleasure.
Amid endless reviews into the future of local screen content, uncertainty reigns on issues such as the impact of Netflix, the fate of local content quotas and funding for original children's TV.
Expectations were high for the latest project from the creator of The Simpsons.
Netflix and the like are already big business, but here's why British film should focus more on Chinese subscription services
Is the Australian media industry willing to come together to fight against global streaming media companies, or will Australian media continue to battle each other?
In ten years, Netflix has built up a streaming business with a staggering 125m subscribers. Here's what it needs to do next.
Media giants like ESPN may have thought that eSports was a fad but not anymore. Revenue from eSports video games are set to take over traditional sports leagues.
Netflix's Chief Content Officer has said the streaming service is the future of film. But cinemas have survived many other threats to their dominance.
As streaming services become increasingly dominant, the relevance of the existing local content quota system is declining.
This is what happens when we stop assuming audiences can't handle female-led sci-fi films.
The new Queer Eye has viewers hooked on its emotional ride through men's lives, aiming to embrace diversity and counter toxic masculinity. Yet its focus on consumerism threatens its lofty ideals.
Netflix hit, Black Mirror, follows in the footsteps of other forward-thinking sci-fi storytellers.
Science fiction has a more important job to do – it allows us to see ourselves in a new light.
The new Netflix sci-fi series, with a gumshoe cyborg as its chief protagonist, mines a host of contemporary anxieties and aesthetic influences.
The history of human-machine collaboration suggests that AI will evolve into a "cognitive partner" to humankind rather than as all-powerful, all-knowing, labour replacing robots.
Seven rules for break up in the digital age.
Hollywood has long had a problem with diversity. But thanks to services like Netflix women have found a place for their stories, compelling Tinseltown to change.
Spike Lee's updated his breakthrough movie, She's Gotta Have It, and made a more political drama for the times.
Top contributors
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Lecturer in Screen Media, Victoria University
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Fellow, Peabody Media Center; Professor of Media Studies, University of Michigan
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Senior Lecturer, University of the Sunshine Coast
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Reader in Film Studies, University of Portsmouth
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Lecturer in 20th and 21st Century Literature, University of Exeter
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Professor of Strategic Management, Lancaster University
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Lecturer in Contemporary Literature and Culture, Edinburgh Napier University
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Professor of Journalism, Media and Communication, Queensland University of Technology
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Incoming Associate Professor at LaTrobe University. Former Lecturer, Political Science, School of Social and Political Sciences; Honorary Research Fellow, Centre for Advancing Journalism, University of Melbourne
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Senior Research Fellow in the Centre for Advancing Journalism, University of Melbourne
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Laureate Emeritus Professor, University of Melbourne
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Honorary Research Associate of the School of Media and Communication, RMIT University
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Senior Research Fellow - The Swinburne Institute for Social Research, Swinburne University of Technology
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Founding Editor of Griffith REVIEW; Professor, Griffith Centre for Social and Cultural Research, Griffith University
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Senior Lecturer in Creative Industries, Queensland University of Technology
