Lounge creator and artist Kirsha Kaechle said the lounge was being ‘experienced’ by men exactly as intended – by excluding them.
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Articles on Women in art
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Any policy interventions from Creative Australia to support visual and craft artists’ incomes will need to take a sector-wide approach.
Neel’s attention to the sensuous human subject, irrespective but mindful of race, gender, status and sexuality, was rare and undervalued, yet now seems prophetic.
A round up of some fascinating art tomes published this year, with a strong showing on women artists.
Despite her extensive and versatile oeuvre, Blankenhorn has received limited attention from the art world.
Only 7% of rakugo artists are female, but Katsura Niyō just won one of Japan’s highest honours for emerging rakugo artists.
50 years ago Art News published Linda Nochlin’s essay, Why have there been no great women artists? It would change how we see art and its institutions, and still reverberates today.
Christine de Pizan’s 15th-century feminist narrative has particular resonance today.
Small signs, big questions and a fabulous wardrobe. How the world’s most famous doll is calling out art’s deeply entrenched male bias.
Dorrit Black, Grace Cossington Smith and Grace Crowley were some of many talented modernist women artists. But only with the advent of second wave feminism in the 1970s was their work properly acknowledged.
Top contributors
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Joanna Mendelssohn is a Friend of The Conversation.Honorary (Senior Fellow) School of Culture and Communication University of Melbourne. Editor in Chief, Design and Art of Australia Online, The University of Melbourne
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Adjunct Associate Professor, Monash University
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Senior Lecturer in American Studies, University of Hull
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Emerita Professor, Art History and Curatorship, University of Adelaide
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Professor of Media, Department of Media, University of Sydney
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Associate Professor in Art History, The University of Melbourne
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Lecturer in French, St Hilda's College Oxford, University of Oxford
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Senior Lecturer, School of Education and Professional Development, University of Huddersfield
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Lecturer in Japanese, University of Sydney
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PhD candidate in the History of Art, University of York
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PhD Candidate, The University of Melbourne
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Associate Professor, School of Art, RMIT University
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Associate professor, RMIT University
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Associate Professor/Reader in Economics, The University of Melbourne
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Research Assistant, RMIT University
