Fifty years after Christo and Jeanne-Claude wrapped the NSW coast at Little Bay, the Art Gallery of NSW celebrates the long term consequences of John Kaldor's creative philanthropy.
Shaun Gladwell constantly experiments with technique – from classical oil painting to virtual reality – but he remains the master of playful motion.
The exhibition Contemporary Worlds: Indonesia has many wonderful works. But it is an exception - despite our close proximity, there are few opportunities for Australians to engage with Indonesian art.
An exhibition at Melbourne's Immigration Museum explores tattoo traditions from Samoa, Japan and Melbourne, telling stories of culture, tradition and migration.
This major exhibition examines Tasmania’s overlooked history of dispossession and frontier war.
Abdul-Rahman Abdullah's installation Pretty Beach tells a story from the artist's childhood to explore mortality and grief.
A new exhibition charting Alexander Calder's atypical path into the modernist art canon is elegant, dramatic and great fun.
Rosslynd Piggott's artworks explore an uncanny, dream-like state. A new exhibition of her objects, installations and paintings is a memorable reflection of a major Australian artist.
The ambitiously named exhibition, The National: New Australian Art, lives up to its title as a visual examination of Australia in an age of uncertainty.
Ben Quilty is the next big thing in Australian art. Will he be allowed - and will he allow himself - to explore and find his true potential as an artist?
Deer Woman, written, directed, designed, composed, stage managed and performed by First Nations artists from Canada, is anchored by a solo performance of fierce skill, focus and precision.
Dancenorth's Dust explores a world on the brink of turning back to dust. Its themes are familiar in contemporary dance, but the show is replete with powerful images.
The Australian premiere of La Passion de Simone uses multiple voices to tell a story about philosopher Simone Weil. But the work lacks the emotional drama of its subject's life.
Smee insists that the rich and intense visions of artists such as Cézanne or Chekhov are increasingly lost to us.
Through animation, video, light and sound, Theatre is Lying exposes how visual art, performance and theatrical devices can interrogate what is real and what is not.
Some of the best examples of horror and fantasy genre films have emerged from Australia. Unfortunately, The School is not one of them.
Artaserse is an old Roman fable of treachery and the ethical power of clemency that becomes a psychological study of conflicting desires.
There is nothing to prepare us for the shock to the senses in the National Gallery of Victoria's latest exhibition combining the works of M. C. Escher with Japanese design firm nendo.
Forty-five years after his death, the Art Gallery of New South Wales has mounted a major exhibition of Tony Tuckson, focussing on his intensely personal Abstract Expressionist works
Few classical musicians can fill out an 8,000 seat hall. But then few classical musicians are like André Rieu.