Josh Price, Catherine Davies and Jenny Wu in Sydney Theatre Company and Malthouse Theatre Company’s Production of Going Down.
© Brett Boardman
Michele Lee's play is a vibrant and layered comic exploration of stereotypes, from piccolo-quaffing urban Melburnites to migrant memoirists.
Despite the myth that men don’t care about clothes, men’s fashion has been surprisingly political over the past 300 years.
For centuries, men’s fashion has been part of dynamic social change. Hairstyles, fabrics and suit styles have carried a political charge.
Detail from Tom Polo.
‘I once thought I’d do anything for you
acrylic on canvas
152.5 x 101.5cm
© the artist Photo: AGNSW, Felicity Jenkins
The lively reconfiguring of the Archibald, Wynne and Sulman exhibitions means it is harder to work out which paintings the judges are considering as potential winners.
Ashley Lyons and Heather Mitchell as Cate McGregor pre- and post-transition in Still Point Turning.
© Philip Erbacher
Still Point Turning highlights the stigma and controversy around Australia's most high-profile transgender person.
Flamingoes dance on a lake in South America in Planet Earth II Live in Concert.
Planet Earth II Live fuses footage from the BBC series with live orchestration. Despite some narrative flaws, it's a stirring call to look after our environment.
Participants in A Tasmanian Requiem, a musical performance addressing Tasmania’s Black War.
A Tasmanian Requiem brings together Western and Aboriginal voices to confront the violence of the state's Black War. It shows what a historical reckoning, and reconciliation, might look and sound like.
Tim Winton sets his latest novel, The Shepherd’s Hut, in the salt lakes of Western Australia.
Tim Winton's latest novel, The Shepherd's Hut, pushes the author's classic themes to the extreme.
Paul Signac, France, 1863-1935, La bouée rouge (The red buoy), 1895, oil on canvas, 81.2 x 65 cm.
Musée d'Orsay, Paris, France ©photo Musée d'Orsay / rmn
The Impressionists were obsessed with the science of colour, which is celebrated in a new exhibition in Adelaide. At least 50 of the paintings have never previously been exhibited in Australia.
A reconstructed Viking ship.
The Vikings have become synonymous with voyages and violence, but a new exhibition at the Melbourne Museum demonstrates their domestic and spiritual side.
Akram Khan in Xenos.
Jean Louis Fernandez
Dance can't literally tell history, but it can tell historical truths, as shown by Akram Khan's Xenos at the Adelaide Festival.
The term ‘Leb’ embodies hyper-masculinity on the street.
Generic image from Shutterstock.com
Michael Mohammed Ahmad's novel The Lebs is a realistic portrayal of teenage boys in Western Sydney.
Ai Weiwei, Law of the Journey, 2017, reinforced PVC with aluminium frame, 3 x 60 x 6m.
Courtesy the artist. Photograph: Ai Weiwei Studio
The 21st Sydney Biennale is the first to be directed by a curator of non-Western heritage. While the number of artists is modest, lost quantity is made up by quality.
Detail from William Barak, Figures in possum skin cloaks, 1898, pencil, wash, charcoal solution, gouache and earth pigments on paper, 57.0 x 88.8 cm (image and sheet)
National Gallery of Victoria, Melbourne Purchased, 1962
Colony at the NGV pairs colonial art with Indigenous responses, in an effort to create dialogue about Australia's history.
Helen Morse lends her voice to the poetry of Memorial.
Memorial brings Alice Oswald's poetic retelling of the Iliad to the stage, with its furious indictment of war and its aftermath.
Julia Hales and the cast of You Know We Belong Together.
You Know We Belong Together is a moving demand for more representation of people with Down Syndrome in the arts.
Vicky Krieps and Daniel Day Lewis in Phantom Thread.
Daniel Day Lewis makes his last appearance in Phantom Thread as master of a fashion house disturbed by his relationship with a waitress.
Mezzo soprano Eve Klein performed two compositions while a medical laryngoscope, inserted into her throat, revealed the movement of her vocal chords.
Listeners often describe the music presented at Tasmania's Mofo festival as 'weird'. But to do so sells the experience short.
Fish iceblocks return slowly to Sydney Harbour in Four Thousand Fish at Sydney Festival.
Aboriginal women are at the heart of two events at the Sydney Festival, which grapple with the impact of colonisation on their lives.
Julie Hale (left) and Joshua Jenkins in The Curious Incident of the Dog in the Night-time, an adaptation of Mark Haddon’s novel.
A theatre production of Mark Haddon's much-loved novel is affirmative and at times deeply sentimental, with a hi-tech set, and exacting choreography.
Bani and the cast of My Name is Jimi.
My Name is Jimi is the story of actor Jimi Bani told by four generations, in three languages, drawing on multiple cultural and theatrical traditions.