The superhero film currently appears to be the closest thing to that ever-elusive cinematic holy grail: the guaranteed box office hit.
Academic rigour, journalistic flair
Articles on Film
Displaying 621 - 640 of 1034 articles
Public discourse and commentary are generally blind to the massive contribution that local sport contributes to social connectedness.
What makes a film a classic? In a new monthly column, film scholar Bruce Isaacs analyses a single sequence from a great film. Here, we look at a scene from Vertigo.
The Netflix series Stranger Things is a throwback to the glory days of cinematic horror. And as VHS disappears from our shelves, this show’s 80s-infused nostalgia is doubly poignant.
Janis Joplin was once voted the ‘Ugliest Man on Campus’. Sharon Jones was told she was ‘too old, too fat, too short, too black’ to succeed in music. Two documentaries chart the lives of these extraordinary women.
A philosophical assessment of the latest Star Trek films demonstrates their sophistication.
The male coming of age tale Down Under is set in the aftermath of the 2005 Cronulla riots. But while entertaining, the film doesn’t help us understand the racism at the heart of these traumatic events.
Ridley Scott’s ‘Blade Runner’ has transcended its sci-fi/hardboiled noir detective thriller formula to spawn a dedicated cult following.
Female sexuality is a powerful, enchanting force in narratives ranging from fairytales to a modern Turkish film. Mustang reminds us that sometimes education can be an alternative to death or marriage.
The film Bastille Day – featuring a CIA agent trying to avert a terror attack in Paris – has been withdrawn from French cinemas after the tragedy in Nice. But what are we to make of Hollywood’s fondness for these kinds of stories?
What viewing on the International Space Station tells us about life among the stars.
Contrary to popular belief, several recent studies suggest that plot spoilers don’t always make us like a film or books less – and may even make us like it more.
Warcraft: the Beginning is based on the wildly popular game World of Warcraft – a fantasy escape for tens of millions of people. Yet watching the film brings home uncomfortable truths about race.
For art to imitate life is understandable, but politics inspired by films can be a recipe for disaster.
Rebecca Miller’s latest film, Maggie’s Plan, takes on a love triangle and the tribal customs of academia.
In the wake of Brexit, the UK film industry is set to lose funding, access to a huge distribution network, and possibly the European talent pool. For an example of the havoc this could cause, look no further than the former Soviet Union.
The world is simply a much scarier and more uncertain place than it was in 1996. How does the new Independence Day film deal with this?
Editing a movie beside the late, great Paul Cox was like attending ‘a one on one’ film school. The growling auteur was a brilliantly stubborn man, who treated film with reverence and wore his heart on his sleeve.
This year’s Sydney Film Festival presented a panoply of films. Highlights included a sinister documentary about competitive tickling, the tale of a woman who befriends a wolf and an indie comedy featuring Viggo Mortensen as a leftie dad.
Films about incompetent, inspirational flops are popular at present. These strange heroes embody the mantra of our self-help culture: never give up and embrace willpower over talent.
Job Board
-
Program Manager, Teaching & Learning Initiatives
-
Lecturer/Senior Lecturer, Earth System Science (School of Science)
-
Sydney Horizon Educators (Identified)
-
Deputy Social Media Producer
-
Associate Professor, Occupational Therapy
Top contributors
-
Lecturer in Communications and Media, University of Notre Dame Australia
-
Associate Professor, Film Studies, University of Sydney
-
Lecturer, Department of Film and Television Studies, University of Warwick
-
Senior Lecturer in Screen Studies, University of South Australia
-
Professor of Film Studies, Bangor University
-
Professor of Screen and Design, Deakin University
-
Visiting Research Fellow University of Chester, University of Chester
-
Researcher and Sessional Tutor in Screen and Cultural Studies; Secretary for the Melbourne Cinematheque, The University of Melbourne
-
Professor & Dean, School of Media and Communication, RMIT University
-
Senior Lecturer in Film, University of Roehampton
-
Professor of Film and Television, Goldsmiths, University of London
-
Executive Director, Compton School
-
Professor of Film and Screen Studies, University of Portsmouth
-
Senior Lecturer in Film, UNSW Sydney
-
Lecturer in 20th and 21st Century Literature, University of Exeter
