Artikel-artikel mengenai Australian film

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Starting from … Now! tells the story of four women in Sydney. It’s one of many successful web series transforming the TV landscape. Starting from ... Now!

How web series are shaking up Australia’s screen industry

From a supernatural lesbian drama to lipsynching female comedians to a popular You Tube science show, Australian web series are thriving.
David Gulpilil as the tracker Moodoo in the 2002 film Rabbit Proof Fence. Rumbalara Films, Australian Film Commission, The, Australian Film Finance Corporation

Why is the Australian government funding Hollywood films at the expense of our stories?

Watching David Stratton’s loving recall of Australian films of the past 50 years over the past three weeks on the ABC, makes you realise how much impact they have had on us all. As one actor says, our…
Sydney Opera House during this year’s Vivid Festival: now, more than ever, we need artists to tell us the truth. Tibor Kovacs/Flickr

Friday essay: the arts and our still-born national identity

There was once a sense of excitement about creating a genuinely Australian culture and making our own way in the world. What's happened to that optimism?
Adaptations are a learned skill – can Australian cinema do it successfully? The Dressmaker/Universal Pictures

Do film adaptations boost Australian movies at the box office?

With the success of films like The Dressmaker, book adaptations are giving a much needed boost to the Australian box office. So why are there so few? And why isn't adaption a compulsory part of screen studies?
Filmmaker Paul Cox pictured with actor David Wenham in 2012. Julian Smith/AAP

Life lessons from the editing suite of Paul Cox

Editing a movie beside the late, great Paul Cox was like attending 'a one on one' film school. The growling auteur was a brilliantly stubborn man, who treated film with reverence and wore his heart on his sleeve.
Aaron Pedersen reprises his Mystery Road role as Jay Swan in Goldstone. Ivan Sen’s latest film draws together white, black and Chinese Australia. Transmission Films

Ivan Sen’s Goldstone: a taut, layered exploration of what echoes in the silences

The Sydney Film Festival opens on Wednesday with the world premiere of Ivan Sen's Goldstone. There is no filmmaker working here today who is more adept at touching the raw nerves of Australian culture.
Love complicates the complex marriage deals arranged by parents on the island of Tanna, though rarely with such profound ramifications as those depicted in the film. Contact Films

Award-winning film Tanna sets Romeo and Juliet in the south Pacific

The new Australian film Tanna, which won two awards at Venice Film Festival, is as much a tale about romance as it is globalisation.
Gold Coast Mayor Tom Tate, Queensland Premier Annastacia Palaszczuk, Disney Studios Vice President Mary Ann Hughes and Screen Queensland CEO Tracey Vieira pose at Village Roadshow Studios on the Gold Coast last week. AAP Image/Dave Hunt

Call the specialists: what Thor and Aliens could really do for the Australian film industry

For every film, specialists are employed for everything from rigging the lights executing the stunts. The announcement of two major new productions coming to Australia will develop that expertise.
The Academy Award-winning penguins in Happy Feet sit in a long and distinguished history of Australian animation. AAP/Roadshow

From ads to Oscar winners: a century of Australian animation

This year marks the centenary of Australian animation. Alongside some memorable international successes, animation has long been significant to the industry.
Critics have been preoccupied with the gender politics of Fury Road. Enter the Doof Warrior … © Warner Bros. Pictures and © Roadshow Films

The Doof Warrior rocks the gender divide in Mad Max: Fury Road

The Doof Warrior in Mad Max: Fury Road is a red-jumpsuited, masked guitarist, bungee-strapped to the front of the Doof Wagon, a massive, mobile speaker stack, replete with on-board drummers. What's not to love?
Should the offset for screen producers apply to all films made in Australia? Yes, even the ones that ruffle a few feathers. mark sebastian/Flickr

Australian film funding shouldn’t be a beauty contest – here’s why

The producers of a creationist doc took advantage of Screen Australia's tax offsets. Were they exploiting a loophole? Hardly – and there's good reason why producers of all films should enjoy such benefits.
The Mad Max trilogy has had a tremendous influence on action cinema – and next week, the series resumes. © Warner Bros.

How Mad Max wrote the script for the action blockbuster

George Miller's Mad Max films have aged remarkably well – perhaps because they have had such a profound influence on the films that followed them.
Australian producers are struggling to face challenges imposed by a changing screen industry – and greater transparency will benefit everyone. AAP Image/Gaye Gerard

How Australian filmmakers can benefit from sharing information

There is an emerging push for greater transparency in the industry about how films are funded and the profits they return. But can sharing information can help a financially risky industry into the black?
Critics looking to make sense of Australian screen culture might do well to leave the cinemas and check out YouTube. Instagram

Is Kurt Coleman the future of Australian screen storytelling?

Weirdness is one of the most distinctive features of Aussie cinema. From Jim Sharman’s kooky debut feature Shirley Thompson Versus The Aliens (1972) to the sublime spookiness of Picnic at Hanging Rock…
Screen production can enhance our understanding of the complexities of human experience. locrifa/ Shutterstock.com

Should film-making count as research? That’s debatable

In the film industry, research is commonly understood as audience research. Films, in contrast, are entertainment or a form of audiovisual communication. But can film-making also be a form of academic…
2010’s Animal Kingdom – one of many films to benefit from the legacies of the Whitlam government. EPA/Simon Mein/Sony Pictures

Australia’s film industry owes a debt to Gough Whitlam

Filmmakers and audiences – indeed Australian arts and screen culture more broadly – owe a deep debt of gratitude to Gough Whitlam and the government he led. Although the foundations had been laid by Whitlam’s…
It’s not just money that emerging filmmakers need – they also need help getting their work screened. vancouverfilmschool

My low-budget film? I don’t need money, I need a distribution deal

Earlier this year The Conversation published an article by Rebecca Mostyn about the audience for Australian films. The article includes useful stats pertaining to Screen Australia’s slate of feature films…

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