The tan-tastic trailer for Ridley Scott’s new epic Exodus: Gods and Kings was recently released, to lukewarm response. What I find most striking about the trailer is not, as you might expect, Christian…
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I’m trying to figure out why I’m so disheartened with the movies this summer. It’s true that the season began badly. Marc Webb’s The Amazing Spider-Man 2 was a disappointment. The aerial sequences at the…
Gore Vidal: The United States of Amnesia – by the Australian film-maker Nicholas Wrathall – has been doing the rounds of festival circuits since its release last year, and is currently showing at special…
What do The Amazing Spider-Man 2, X-Men: Days of Future Past, and Godzilla have in common? Aside from belonging to the summer blockbuster class of 2014, they all feature China in some form or another…
Punk music’s role in overcoming sectarian divides during one of the bloodiest chapters in northern Irish history isn’t a topic we hear much about. But that’s the subject of the film Good Vibrations, currently…
I don’t really go in for creative mash-ups. You know: Alien vs. Predator, or the films where Superman goes head to head with six baddies from different comics, only helped by Spider Man and Wonder Woman…
Television is a voracious medium – and yet I would argue many of those commissioning screen content in Australia have little appetite for experimentation. Australia’s digital free-to-air service, in metropolitan…
If someone asked you to think of a British film, what would come to mind? For some years now, the most likely answer would have been any of the select but powerful band of little films that made good on…
Animation is all around us – from Pixar to manga to animated gifs. As with any creative field, it has its unsung heroes – the innovators who have shaped and defined the art form. So it was a great delight…
This article contains spoilers. Some reviewers have somewhat lazily compared Amma Asante’s recently opened film Belle to the Oscar-winning 12 Years a Slave, that other film about slavery. But this entirely…
The Sydney Film Festival concluded last night with the announcement of the winner of the Sydney Film Prize, a not insignificant award for best film in the Official Competition. It was awarded this year…
It has been almost a truism of television, in the discussions of professionals and the analyses of academics, that television broadcasting is a sound medium with added pictures, while cinema is a visual…
Boyhood is the front-runner in this year’s Sydney Film Festival Competition, to be decided on Sunday. In it, American writer and director Richard Linklater looks at a young boy’s life from the beginning…
The challenge for the documentary filmmaker is to persuade the viewer to take the images and sounds with which they are presented for the world itself. The documentary viewer willingly collaborates in…
The phone connection illuminates the dashboard screen. “Ivan Locke,” says the man behind the wheel. “Ivan. Where are you?” says a woman’s voice. “I’m in the car,” he replies. This direct way of answering…
For me the most exciting way to negotiate the ample program of the Sydney Film Festival (SFF) is to focus on its retrospectives, and this year the lens is on the American film directors Robert Altman and…
Out of all the intoxicating phrases that emerge from the study of film, my personal favourite is mise-en-scène, translated from French to mean: what is in the frame. The phrase conjures up the splendour…
In 2011, as one popular uprising after another swept across Tunisia, Egypt, Libya, Yemen, Bahrain, Syria, and beyond, the Arab spring (more commonly referred to in Arabic as al-thawrat al-arabiyya, “the…
The Sydney Film Festival (SFF) opened last night, kicking off not only one of the landmark cultural events of the city, but a program that draws films from almost 50 countries throughout the world. As…
History is generally made of things that happen. This truth often prejudices us to ignore the importance of the things that don’t. In this spirit, I would like to bring attention to the significance of…
Kontributor teratas
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Lecturer in Communications and Media, University of Notre Dame Australia
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Associate Professor, Film Studies, University of Sydney
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Lecturer, Department of Film and Television Studies, University of Warwick
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Professor of Film Studies, Bangor University
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Senior Lecturer in Screen Studies, University of South Australia
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Professor of Screen and Design, Deakin University
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Visiting Research Fellow University of Chester, University of Chester
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Researcher and Sessional Tutor in Screen and Cultural Studies; Secretary for the Melbourne Cinematheque, The University of Melbourne
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Professor & Dean, School of Media and Communication, RMIT University
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Senior Lecturer in Film, University of Roehampton
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Professor of Film and Television, Goldsmiths, University of London
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Executive Director, Compton School
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Professor of Film and Screen Studies, University of Portsmouth
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Senior Lecturer in Film, UNSW Sydney
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Lecturer in 20th and 21st Century Literature, University of Exeter
