How much you become engaged with a story is known as narrative transportation. And the more a story transports you, the more likely you are persuaded to adopt the beliefs espoused within it.
People want video games and interactive experiences that help them explore deep and meaningful themes, such as creating family, valuing diversity and living responsibly.
People tell each other stories every day about the things they’ve seen and done. For many children with autism, this kind of personal narrative doesn’t come easily. Here’s how parents can help.
After the death of legendary New York Daily News columnist Jimmy Breslin, some have lamented the end of blue-collar journalism. But in today’s media environment, Breslin’s approach might not be enough.
Contrary to popular belief, several recent studies suggest that plot spoilers don’t always make us like a film or books less – and may even make us like it more.
When Gay Talese signed a confidentiality agreement with a motel-owning voyeur, he got access to the voyeur’s journals and secret viewing perch. But he also allowed the spying to continue for over a decade.
Hollywood has kept its distance from the bombing of Hiroshima, 70 years ago, and novelists, aside from sci-fi authors, have largely ignored the catastrophe as a means of exploring human nature. Why?
The very idea of the happy ending as appropriate literary fare for children is an illusion. Most fairy tales are full of darkness and violence, and as often as not do not end happily.
There’s no shortage of historical texts, but only a handful are lauded as literature. We can learn valuable lessons by revisiting EP Thompson’s The Making of the English Working Class.
‘History and fiction journey together and separately into the past; they are a tag team, sometimes taking turns, sometimes working in tandem.’ Enjoy the second part of our series, Writing History.